(Untitled) Owl
Lithograph, 1973, Stuckey 351, edition 135. 9 x 7 3/8 in. Signed in pencil. This is a fine, rich impression with full margins. The condition is excellent. This print was published as the frontispiece of a limited edition of the Lithographs of Stow Wengenroth, 1931-1972 as published by the Boston Public Library in 1974. This impression has large margins with a deckle edge on all sides and was not part of the book edition. Rare as such.
$850

Along the Canal
Lithograph, 1949, Stuckey 181, edition about 50. 7 7/8 x 13 3/8 in. Signed in pencil. This is a fine impression in good condition. The margins are wide. (There's light toning in the margins from an early mat opening and a few smudge marks on the back of the sheet.) The scene depicted here in in Lambertville, New Jersey.
$450

Approaching Storm
Lithograph, 1946, Stuckey 161, edition 60. 11 1/4 x 9 1/4 in. Signed and numbered in pencil. This is a fine impression with full margins. The condition is fine. This lovely, atmospheric work was done in Gloucester, MA.
SOLD

Bird of Freedom
Lithograph, 1942, Stuckey 116, edition 200. 15 3/4 x 11 7/8 in. Signed in pencil. Here we have a fine impression of this patriotic, wartime print. The margins are full and the condition is fine. (There's a wrinkle in the upper right corner margin, well away from the image.) This impression bears the red collectors mark of Edith Wengenroth, the artist's wife. She would put aside prints she was particularly fond of.
$1,200

Brooklyn Bridge
Lithograph, 1950, Stuckey 189, edition 40. 15 1/16 x 11 5/8 in. Signed and numbered in pencil. This is a superb impression with full margins. The condition is fine apart from a subtle, little spot of discoloration to the left of the image not noticeable from normal viewing distance.) This iconic image depicts Woolworth Building and the Municipal Building showing through the arches. Wengenroth also produced Brooklyn Bridge in Winter in 1955.
PRICE ON REQUEST

Brooklyn Bridge in Winter
Lithograph, 1959, Stuckey 255, edition 60. 10 1/2 x 15 7/8 in. Signed and numbered in pencil. This is a superb impression of this iconic American print. The margins are full and the condition is excellent. This print is located in multiple museum collections including the Smithsonian American Art Museum.
SOLD

City Street (New York)
Lithograph, 1933, Stuckey 36, edition 25. 12 5/8 x 9 5/8 in. Signed in pencil. Here we have a fine impression with full margins. The condition is excellent. Wengenroth made a drawing, relating to this print, looking out his studio window at 39 MacDougal Street in Brooklyn.
$1,900

Coast of Maine
Lithograph, 1957, Stuckey 237, edition 55. 9 7/8 x 15 3/8 in. Signed in pencil and inscribed, "artist's proof". This is a very fine impression with full margins. The condition is fine. The exceptional print was done in Port Clyde, Maine. It shows Marshall's Point Light.
$1,400

Cottage Window
Lithograph, 1970, Stuckey 334, edition 50. 15 1/4 x 11 3/8 in. Signed and numbered in pencil. This is a fine impression of this large, lovely print. The margins are full and the condition is excellent. The location for this work was Greenport, New York, which is an historic village on the north fork of Long Island.
SOLD

Day's End
Lithograph, 1937, Stuckey 69, edition 30. 7 3/8 x 13 in. Signed and numbered in pencil. This is a fine impression with full margins. The condition is very good. (There's some rippling along the top margin.) This print was done at Boothbay Harbor, Maine.
$900

Deep Forest
Lithograph, 1937, Stuckey 70, edition 60. 11 1/4 x 15 7/8 in. Signed and inscribed, "printers proof." This is a superb impression of this exquisite, early landscape. The margins are full and the condition is generally fine. (There's very faint rippling in the upper right corner margin and small spot of printer's ink in the extreme left margin, center). The scene depicted here is in Boothbay Harbor, Maine.
$1,000

Down East
Lithograph, 1958, Stuckey 149, edition 40. 9 1/8 x 15 7/8 in. Signed in pencil and inscribed "artists proof." It is titled below by the artist in pencil. This is a fine impression with full margins. Fine condition. The subject depicted is Marshall's Point Light Station.
$1,500

Evening Train
Lithograph, 1948, Stuckey 174, edition 50. 10 x 15 1/4 in. Signed in pencil and inscribed "artist's proof." This is a superb impression with full margins. The condition is fine. The scene depicted here is the evening train approaching the station in Wiscasset, Maine.
$2,500

Fisherman's House
Lithograph, 1932, Stuckey 28, edition 50. 7 5/8 x 8 7/8 in. Signed in pencil. This is a fine impression with full margins. The condition is good apart from slight toning around the image from an earlier mat opening. There are traces of two paper hinges on the front at the top corners and two old cloth hinges on the verso also at the corners. This uncommon print was done in Eastport, ME.
$1,600

Five Owls
Lithograph, 1943, Stuckey 123, edition 50. 8 3/4 x 16 1/2 in. Signed and numbered in pencil. This is a fine impression of this charming print. The margins are full and the condition is fine. This impression bears Edith Wengenroth's collectors stamp which is printed in red showing a lighthouse and the letter E and W on each side. This mark is not recorded by Lugt.
$750

Fog
Lithograph, 1942, Stuckey 114, edition only 20. 8 1/4 x 15 1/4 in. Signed and numbered in pencil. This is a fine impression with full margins. The condition is excellent. This impression bears the Edith Wengenroth collectors mark; a lighthouse with her initials. This rare print was done in Castine, ME. Note: this work was printed with two stones, one being a tint stone. The catalogue lists an edition of 20 but this impression says "ed 22."
$1,100

Foggy Morning
Lithograph, 1945, Stuckey 148, edition only 37. 7 3/4 x 13 5/8 in. Signed and numbered in pencil. This is a fine, atmospheric impression with full margins. The condition is excellent. The scene depicted here is in Port Clyde, ME.
SOLD

Forest Shade
Lithograph, 1945, Stuckey 149, edition 75. 11 1/4 x 16 1/2 in. Signed and numbered in pencil. This is a fine impression of this lovely print. The margins are wide and the condition is fine. This print was done in Port Clyde, ME. Notice the two deer lurking in the shadows near the center.
$1,500

Foundry Interior
Lithograph, 1934, Stuckey 47, edition only 15. 10 3/8 x 13 1/4 in. Signed in pencil. Here we have a fine impression with substantial margins. The condition is fine apart from a very faint suggestion of a mat line from an early mount and a tiny paper loss in the lower right corner. This is a view near an abandoned quarry in Rockport, MA. This superb industrial image is a very unusual subject for Wengenroth.
$1,800

From the Weather Bureau (New York)
Lithograph, 1940, Stuckey 106, edition 40. 10 1/4 x 17 in. Signed and numbered in pencil. Titled below in pencil. This is a superb impression with probably the full margins. Fine condition. There was a first edition of 3 impressions, then, the second published state was printed with a tint stone in an edition of 40. This print was based on a drawing done on the roof of the Weather Bureau at the Battery.
$5,000

Grand Central, New York
Lithograph, 1949, Stuckey 183, edition 40. 8 11/16 x 16 in. Signed in pencil. This is a fine, rich impression of this uncommon print. The margins are full and the condition is excellent. Provenance: Kennedy Galleries, with their price code in pencil, lower right. Grand Central was opened in 1913 after ten years of construction.
SOLD

Great Horned Owl
Lithograph, 1960, Stuckey 259, edition 50. 15 1/4 x 11 7/8 in. Signed and inscribed in pencil "artist's proof." The print is also titled below by the artist. Here we have a superb impression with full margins. The condition is excellent. The catalogue states this print was done in New York.
$900

Greenport, 8 p.m.
Lithograph, 1953, Stuckey 211, edition 25. 9 7/8 x 15 7/8 in. Signed, titled and inscribed, "Artists proof," in pencil. Here we have a superb impression of this dramatic, rare print. The margins are full and the condition is fine. (There's a small wrinkle in the upper right corner of the margin.) This work depicts the Kipp House in Greenport, NY. Greenport is a village situated on the North Fork of Long Island.
$5,000

Her Majesty
Lithograph, 1975, Stuckey 361, edition 60. 9 1/2 x 15 7/8 in. Signed and numbered in pencil and titled below. This is a fine impression with full margins. The condition is excellent. This charming, Victorian home was is/was located in Noank, CT.
$1,250

High Arches, Brooklyn Bridge
Lithograph, 1960, Stuckey 260, edition 50. 14 5/8 x 11 1/2 in. Signed in pencil and inscribed "artists proof." This is a fine impression with full margins. The condition is fine apart from slight toning along the back of the sheet along the left edge extending in about 3/8 inward. This scene depicted shows the footpath looking towards Manhattan with the Woolworth Building showing through the arch.
PRICE ON REQUEST

Homeport
Lithograph, 1936, Stuckey 59, editiion 60. 8 3/8 x 13 1/2 in. Signed in pencil. This is a very fine impression printed on RIVES watermarked paper. The margins are full and the condition is very good. (There are small hinges at the top corners front and back.) This is a view of a shipyard in Gloucester, MA.
$900

Housewife's Garden
Lithograph, 1931, Stuckey 9, edition 54. 9 5/8 x 12 1/8 in. Signed in pencil. Here we have a fine, luminous impression of this rare, early work. The margins are full and the condition is excellent. Like so much of his early work, Eastport, ME is the location he chose for inspiration.
$800

Hudson River (Storm)
Lithograph, 1939, Stuckey 86, edition only 18. 10 1/4 x 13 5/8 in. Signed in pencil. This is a fine impression with full margins. The condition is fine. (There's a faint bit of toning along the bottom edge of the sheet.)
$1,600

Hurricane
Lithograph, 1955, Stuckey 229, edition 55. 11 3/4 x 17 1/4 in. Signed and numbered in pencil. This is a fine, atmospheric impression with full margins. Excellent condition. This print represents a departure for the artist as the subject is unusual. Here he successfully recreates the power of mother nature in stormy New England weather.
$1,900

Lighthouse Beach
Lithograph, 1976, Stuckey 365, edition 80. 8 3/8 x 13 7/8 in. Signed and numbered in pencil. The print is titled below in what appears to be the artist's handwriting. This is a fine impression with full margins. The condition is excellent. The scene depicted here is Annisquam, MA.
SOLD

Little One
Lithograph, 1975, Stuckey 359, edition 100. 9 3/8 x 13 1/2 in. Signed, numbered and titled in pencil. This is a fine impression with full margins. The condition is fine apart from a soft crease in the upper right corner of the sheet.
SOLD

Lower Fifth Avenue
Lithograph, 1959, Stuckey 256; edition 40. 10 1/8 x 15 7/8 in. Signed and numbered in pencil. Here we have a superb impression with wide margins. The condition is fine apart from some irregularity along the margin edges. According to Stuckey, the view is looking west on Eleventh Street. This is one of the artist's finest prints.
SOLD

Maine Evening
Lithograph, 1945, Stuckey 147, edition 65. 11 1/2 x 16 5/8in. Signed and numbered in pencil. This is a fine impression with full margins. The condition is excellent. (The print is titled in ink at the lower margin edge, apparently by the artist.) The view depicted here is Port Clyde, Maine.
SOLD

Miller's Wharf
Lithograph, 1931, Stuckey 16, edition 54. 15 3/4 x 11 1/4 in. Signed in pencil. This is a fine impression of this large, early work. The margins are full. The condition is fine apart from a slight suggestion of toning along the extreme right edge of the sheet, mainly verso, and along the extreme top edge, verso. This nicely designed print conveys some of the geometric thinking of Louis Lozowick. The scene depicted is Eastport, Maine.
$1,200

Monhegan
Lithograph, 1938, Stuckey 78, edition 75. 11 1/2 x 15 in. Signed and inscribed in pencil "a.p." (artist's proof). This is a fine impression of this majestic view. The margins are full and the condition is excellent. This print was made from drawings he did while visiting the island which is off the coast of Maine.
$800

Moonlight
Lithograph, 1937, Stuckey 62, edition 75. 11 1/8 x 16 in. Signed and numbered in pencil. This is a fine, luminous impression of this exceptional work. The margins are full. The condition is fine apart from slight rippling here an there along the edges of the sheet, well away from the image. The location of this print is the inner harbor in Rockport, MA.
SOLD

New York Nocturne
Lithograph, 1945, Stuckey 146, edition 85. 9 7/8 x 16 7/8 in. Signed in pencil and also titled in pencil. This is a superb impression with full margins. The condition is fine apart from faint discoloration along the top edge of the sheet, verso, from an early tape hinge. This outstanding night scene is one of Wengenroth's finest prints. The view is from Columbia Heights, Brooklyn, looking towards lower Manhattan.
SOLD

Northern Coast
Lithograph, 1937, Stuckey 63, edition 65. 9 7/8 x 16 in. Signed and numbered in pencil. This is a fine impression with full margins. The condition is also fine. The location for this dramatic print is Rockport, MA.
$850

Old North Church, Boston
Lithograph, 1976, Stuckey 366, edition 76. 15 7/8 x 11 5/8 in. Signed and numbered in pencil. Titled below in pencil. Here we have a fine impression with full margins. The condition is also fine. (There's a small wrinkle in the center of the top margin.) This historic Boston landmark was built in 1723.
$550

Picnic
Lithograph, 1938, Stuckey 81, edition 50. 12 1/8 x 15 5/8 in. Signed and numbered in pencil. This is a fine impression with full margins. The condition is fine apart from a modest handling wrinkle in the top margin away from the image and a tiny smudge on the right margin, upper right. This charming early work was done in Port Clyde, Maine.
$650

Race at Latimer Reef
Lithograph, 1946, Stuckey 163, edition 75. 8 x 15 1/4 in. Signed and numbered in pencil. This is a fine impression with full margins. The condition is excellent. This dynamic racing print was done in Noank, CT which is on the coast of Connecticut not far from Mystic.
$750

Roadside Garden
Lithograph, 1965, Stuckey 298, edition 50. 10 7/8 x 15 7/8 in. Signed and numbered in pencil. This is a fine impression with full margins. The condition is excellent. This beautiful print was done in Port Clyde, Maine.
SOLD

Rocks, Eastport
Lithograph, 1931, Stuckey 4, edition 75. 9 x 11 7/8 in. Signed in pencil. This is a fine, luminous impression of this very early work. This is only the fourth published print by the artist. Eastport is a city and archipelago in Washington County, Maine.
$1,200

Ruffed Grouse
Lithograph, 1942, Stuckey 117, edition 60. 11 3/8 x 17 in. Signed and numbered in pencil. The print is also signed with the collector's mark of Edith Wengenroth, the artist's wife. This is a fine impression with full margins. The condition is excellent.
$1,400

Season's End
Lithograph, 1955, Stuckey 226, edition 40. 9 3/8 x 15 3/8 in. Signed in pencil and titled below. This impression is inscribed, "artist's proof." This is a fine, luminous impression with full margins. Fine condition. This is the summer hotel where N.C. Wyeth and Andrew Wyeth stayed before owning a home at Port Clyde, ME.
SOLD

Serenity
Lithograph, 1951, Stuckey 199, edition 100. 11 3/4 x 17 7/8 in. Signed and numbered in pencil. This is a fine impression with full margins. The condition is also fine apart from a very faint trace of light discoloration within an earlier mat opening and a suggestion of an old hinge adhesive showing in the upper right corner margin. This majestic print depicts the First Congregational Church in Litchfield, CT. Another building was constructed in 1829 in the Greek Revival style. In 1930, the third church building was built on the same site and the 1829 building was torn down. A major restoration project was done in 2005.
$2,400

Shipyard
Lithograph, 1935, Stuckey 54, edition 30. 9 1/4 x 13 3/8 in. Signed in pencil and titled below. This impression is from the collection of Edith Wengenroth and her red lighthouse stamp is in the lower left margin. This stellar, early print was done in Gloucester, MA. The boat is the "Gertrude Tibaud," one of the boats that raced in the US/Canadian fisherman's races.
$2,000

Solitude
Lithograph, 1931, Stuckey 12, edition 54. 5 1/2 x 12 7/8 in. Signed in pencil. This is a fine impression of this very early print. The margins are full and the condition is fine apart from a very faint suggestion of toning within an early mat opening. The scene is Eastport, Maine, which is where his earliest prints were made.
$800

Steps to the Sky
Lithograph, 1931, Stuckey 22, edition 54. 9 7/8 x 11 3/4 in. Signed in pencil. Here we have a fine, rich impression with full margins. The condition is fine apart from soft wrinkles along part of the top margin edge not affecting the image. This early work shows Eastport, Maine.
$1,200

Summer Dusk
Lithograph, 1932, Stuckey 37, edition 54. 7 1/8 x 12 7/8 in. Signed in pencil. This is a fine impression of this exceptional early work. The margins are full and the paper bears a RIVES watermark. The condition is excellent. The scene is Eastport, Maine.
$1,100

Sunlit Forest
Lithograph, 1941, Stuckey 113, edition 50. 11 1/8 x 14 3/4 in. Signed and numbered in pencil. Here we have a fine, luminous impression with full margins. The condition is excellent. This impression has the red stamp depicting a lighthouse and the initials E and W. which indicates this is from the collection of Edith Wengenroth, the artist's wife, (Not in Lugt). The scene here is in Winter Harbor, Maine.
$1,200

Sunlit Wing
Lithograph, 1933, Stuckey 35, edition 25. 5 1/2 x 8 3/8 in. Signed in pencil. This is a fine impression with full margins. The condition is also fine. This small but very rare print was done in Eastport, Maine. In fact, most of Wengenroth's early prints were done in Eastport. This would be 1931-32.
SOLD

Sunnyside
Lithograph, 1959, Stuckey 253, edition 50. 8 1/4 x 15 7/8 in. Signed in pencil. This is a fine impression with full margins. The condition is fine apart from a faint line of toning from an earlier mat opening. Sunnyside, in Tarrytown, N.Y., was the home of the American writer, Washington Irving. He was the author of "Rip van Winkle" and "The Legend of Sleepy Hollow." Irving bought a two room Dutch stone house on the banks of the Hudson River in 1835 and thoughtfully expanded it and today it looks much like it did in the 1850s. Sunnyside was declared a national historic landmark in 1962.
$600

The Church
Lithograph, 1947, Stuckey 170, edition 60. 15 1/2 x 11 1/4 in. Signed and numbered in pencil. Titled by the artist below in pencil. Here we have a fine impression with full margins. The condition is very good apart from soft wrinkling in the margins at the top and bottom. This is the Congregational Church which faces the village green in Wiscasset, Maine. The church was established in 1773.
$1,300

The Sentinel Tree
Lithograph, 1973, Stuckey 350, edition 75. 15 1/2 x 10 1/4 in. Signed and numbered in pencil. This is a fine impression with full margins. The condition is excellent. This large work was done in Lanesville, MA.
$750

The Third Sea
Lithograph, 1931, Stuckey 21, edition 54. 11 7/8 x 9 7/8 in. Signed in pencil. This is a fine, rich impression with full margins. The condition is very good apart from a tiny stain on the verso which is barely discernible from the front. The print was done in Eastport, ME.
$1,200

Three of a Kind
Lithograph, 1967, Stuckey 310, edition 75. 9 x 15 in. Signed in pencil and inscribed "artist's proof." This is a fine impression with full margins. The condition is also fine.
$800

Trees and Sky
Lithograph, 1936, Stuckey 60, edition 75. 12 3/8 x 17 7/8 in. Signed and numbered in pencil. This is a superb impression of this large print. The margins are full. The condition is fine apart from a small wrinkle along part of the bottom margin. The scene shows a view of Stage Fort Park in Gloucester, MA. This historic area was settled in the 1620s. Fitz Henry Lane did a painting in 1862 named Stage Fort across Gloucester Harbor which is now in the collection of the Metropolitan Museum of Art.
$1,500

Victorian Era
Lithograph, 1947, Stuckey 167, edition 50. 12 7/8 x 9 5/8 in. Signed and numbered in pencil. This is a fine, rich impression of this stellar print. The margins are full and the condition is fine. The location for this print is Noank, CT. Noank is a village in the town of Groton.
SOLD

Window in Wicasset
Lithograph, 1946, Stuckey 155, edition 65. 9 3/8 x 15 1/2 in. Signed and numbered in pencil. This is a fine impression with full margins. The condition is good apart from a small circular spot to the left of the image which is covered by the mat. Wicasset is a small Maine town in the mid coast region.
SOLD