Atlantic
Lithograph, 1929, edition 50. 11 1/2 x 7 1/2 in. Signed, dated, titled and numbered in pencil. This is a fine impression in fine condition. The margins are full. Ronnebeck sailed to Germany from New York with his wife Louise on the S.S. Dresden and returns on the Hamburg Amerika line. This was a three week trip. This distinctive and powerful print shows Ronnebeck's skills as a lithographer.
$1,500

Brooklyn Bridge
Lithograph, 1925, edition unknown. 12 1/2 x 6 5/8 in. Signed in pencil lower right. This is a fine impression printed on RIVES watermarked wove paper. The margins are full and the condition is excellent. This is one of Ronnebeck's finest prints. Ronnebeck was born in Germany and moved to New York in 1922. He was welcomed by the Stieglitz circle and described his modernist approach to lithography as "living cubism."
SOLD

Colorado Gold Dredge
Lithograph, 1932, edition 25. 10 x 14 1/4 in. Signed, dated, titled and numbered in pencil. This is a fine impression with full margins. the condition is excellent. Ronnebeck is the finest of the few lithographers who worked on this Colorado subject of gold mining.
SOLD

Colorado Gold Mine
Lithograph, 1933, edition 25 10 x 13 1/2 in. Signed, dated, titled and numbered in pencil. This is a fine impression with full margins. The condition is fine apart from faint rippling along the top margin. This is one of several Colorado mining related scenes done when the artist was living in Denver. 1933 was also the year he became an American citizen having been born in Germany.
$1,200

Corn Dance (Taos Pueblo)
Lithograph, 1931, edition not stated. 9 1/2 x 13 1/2 in. Signed and titled in pencil. This is a fine impression with full margins. The condition is excellent. This is one of the stellar images done by the artist while in the southwest. An impression is in the McNay Art Museum in San Antonio.
SOLD

Eagle Dance (San Ildefonso Pueblo)
Lithograph, 1931, edition 75. 13 x 9 in. Signed, dated, titled and numbered in pencil. Here we have a fine impression in fine condition. The margins are full. The artist did a number of southwestern prints. He spent time in Taos and Santa Fe and the vicinity during the 1920s.
SOLD

Grand Lake, Colorado
Lithograph, 1932, edition 50. 12 3/4 x 8 1/4 in. Signed, dated, titled and numbered in pencil. This is a fine impression of this sailing subject produced in a modernist style. The margins are full and the condition is excellent.
SOLD

House at Gregory Point (Colorado)
Lithograph, 1934, edition 25. 13 x 9 in. Signed, titled, dated and numbered in pencil. Here we have a fine impression in fine condition. The margins are full. Ronnebeck lived in Colorado as he was the Art Director of the Denver Art Museum from 1926-1931. He did several prints of the mining industry back then and this print depicts that theme. Gregory Point was near Central City.
$700

Paramount, NY
Lithograph, 1928, edition not stated. 12 x 7 1/4 in. Signed and titled in pencil. This is a superb impression of this stellar, modernist print. The margins are full and the condition is excellent. The scene is Broadway and Ronnebeck is able to capture the excitement of the moment. This outstanding print was made at a time when the artist was friendly with, Stieglitz, Hartley, Marin and Georgia O'Keefe. He was exhibiting with the Weyhe Gallery during this fruitful and productive period.
SOLD

Sailboats
Pencil on paper, 1936, unique 15 x 11 in. Signed and dated in pencil. This fine drawing was done in Colorado and relates to a print called "Grand Lake, Colorado," from 1932. The condition is very good other than for old hinges at the corners and minor toning along the edges of the sheet.
SOLD