Abbey of Montmajour
Drypoint, 1934, Chamberlain/Kingsland 117, edition 75. 8 x 11 3/8 in. Signed and titled in pencil. A superb impression with full margins. Fine condition. This is the cover illustration for Etched in Sunlight. The abbey is near Arles in Provence.
SOLD

Manhattan Old and New
Drypoint, 1929, Chamberlain/Kingsland 81, edition 100. 8 7/8 x 7 in. Signed and numbered in pencil. The artist also titled the print in the lower margin. This is a fine, luminous impression with full margins. The condition is fine apart from a a couple of inherent paper imperfections in the sky and one tiny rust spot.
$675

Market Day in Lillebonne
Drypoint, 1930, Chamberlain / Kingsland 90, edition 100. 13 3/4 x 9 in. Signed and titled in pencil. A fine impression printed on a thin china paper. Full margins. The condition is fine other than traces of old hinges at top.
SOLD

Soarning Steel
Drypoint, 1929, Chamberlain/Kingsland 79, edition 125. 12 3/8 x 9 5/8 in. Signed and numbered in pencil. Titled below by the artist. This is a superb impression with full margins. The condition is excellent. Here the artist depicts the Chicago Daily News building under construction. (Note: The catalogue lists an edition of 125 impressions but our impression is numbered from an edition of 100.)
SOLD

Summer Street, Marblehead (MA)
Drypoint, 1936, Chamberlain / Kingsland 123, edition 100. 9 1/4 x 7 in. Signed in pencil. Titled in block letters along the lower margin. This is a superb impression with full margins. The condition is fine other than minor rippling along the outer edges on the margins. This exemplary New England street scene is Chamberlain at his best.
SOLD

The Cathedral, Salamanca
Drypoint, 1929, Chamberlain/Kingsland 75, edition 100. 10 3/4 x 7 in. Signed and titled in pencil. A fine impression with full margins. Fine condition. Ex-collection: "NG"; not in Lugt.
SOLD