A Mayfair Backwater
Drypoint, 1930, Meyrick/Heuser 190 (ii/II), edition 62. 7 3/4 x 9 1/2 in. Signed in the plate. Signed in pencil. This is a superb impression with full margins. The condition is fine. "During the interwar years, the bohemian atmosphere of Shepherd Market in the London district of Mayfair proved irresistible to emerging artists and writers." (Meryick pg. 194). This print was published by Colnaghi in London and a watercolor was done of the same subject.
SOLD

Hot Chestnuts
Engraving, 1933, Meyrick & Heuser 207 (iv/IV), edition 50. 6 3/4 x 5 1/4 in. Initialed in the plate, lower center. Signed in pencil. This is a superb impression with full margins. The condition is excellent. This tour de force of engraving is typical of Anderson's command of the medium.
SOLD

In Check
Engraving, 1931, Meyrick & Hauser 197 (v/V); edition 80. 6 1/4 x 8 in. Signed in pencil and inscribed below "edition 80 proofs." This is a superb impression with full margins. The condition is fine apart from a soft crease vertically along the left margin, well away from the image. The setting here is Snow's Coffee House in the theatre district near the Strand Hotel. Here we have a superb example of Anderson's work.
SOLD

La Plaza Mayor, Segovia
Drypoint, 1927, Meyrick & Heuser 178 (iv/IV); edition 80. 9 1/2 x 7 9/16 in. Signed in the plate, lower left. Signed, titled and numbered in pencil. This is a fine impression with full margins. The condition is fine other than for a subtle suggestion of toning within an early mat opening.
$550

Pan in Fulham
Engraving, 1932, Meyrick & Heuser 203 (iv/IV), edition 50. 7 3/8 x 5 9/16 in. Initialed in the plate on the left. Signed in pencil. This is a superb impression in fine condition. The margins are full. According to the catalogue raisonné, only 10-14 impressions were printed from the intended edition of 50. The plate was lost when Anderson's studio was bombed in 1941.
SOLD

Pont Guillaume, Chartres
Etching and drypoint, 1915, Meyrick & Heuser 85, edition unknown. 6 5/8 x 8 in. Initialed in the plate, lower left. Signed in pencil. This is a very fine impression printed on cream laid paper. The margins are full and the condition is excellent. According to the catalogue, "This is a view along the Rue de la Porte Guillaume towards the 15th century barbican gate and bridge named after Guillaume de Ferrières, Vidame de Chartres."
SOLD

St. Nicholas, Prague
Drypoint, 1929, Meyrick & Heuser 184 (iii/III); edition 85. 11 3/8 x 8 3/4 in. Signed in the plate, lower right. Signed, titled and numbered in ink. This is a superb impression with full margins. The condition is fine apart from minor wrinkling along the top edge of the sheet. A finished pencil drawing is located in the Victoria and Albert Museum.
SOLD

Venus and Adonis
Etching, 1924, Meyrick & Heuser 158; intended edition of 50. 7 7/8 x 10 in. Signed in ink. Titled and numbered "edition 50 proofs" below in ink. Here we have a fine impression in fine condition. The margins are full. The plate was published by Colnaghi, however, according to the catalogue, "The plate itself would become a casualty of the Blitz, during which Anderson's London studio was destroyed. Only a few prints had been pulled."
SOLD