Recent Acquisitions

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Shadows of Venice -  ARMS

Shadows of Venice
JOHN TAYLOR ARMS
American, (1887-1953)
Etching with aquatint, 1930, Fletcher 229 (ii/II), edition 100 (140?) 10 1/8 x 12 1/2 in. This is a fine, luminous impression printed on an old sheet of cream laid paper, probably an end leaf from a book or ledger. The margins are full and the condition is fine. (There's a soft crease in the upper margin at left and another in the upper right margin corner; both not affecting the image. This very desirable print depicts the Ponte di Rialto, a favorite subject of etchers in modern times. (Note: the catalogue lists a printing of 127 impressions in 1930 and then an additional 13 proofs between 1930 and 1938. This impression is inscribed "edition 100.")
$2,200

The Noon Hour -  BACON

The Noon Hour
PEGGY BACON
American, (1895-1987)
Etching, 1931, Flint 101, edition unknown. 5 x 7 in. Signed and titled in pencil. This is a fine impression with full margins. The condition is excellent. The location of this charming print is East 15th Street near Irving Place and Third Avenue in New York.
$1,200

Heavy Traffic -  BACON

Heavy Traffic
PEGGY BACON
American, (1895-1987)
Drypoint, circa 1941, Flint 141 7 x 5 in. Signed and titled in pencil. This is a superb impression printed on white wove paper with full margins. The condition is excellent. The location depicted here is Fourth Avenue at 14th Street in New York.
$1,500

The Promenade Deck -  BACON

The Promenade Deck
PEGGY BACON
American, (1895-1987)
Drypoint, 1920, Flint 47, edition about 500. 6 x 8 3/8 in. Signed and titled in pencil. This is a superb impression rich with burr. The margins are full. The condition is fine apart from a small fold mark in the lower right corner of the sheet and a minor wrinkle in the the extreme bottom edge of the sheet, center. This print was published as part of the New Republic Portfolio, Six American Etchings in 1924. Depicted on board the S.S. New Amsterdam are Peggy Bacon and Alexander Brook; second and third from the lower right corner.
$1,700

Country Dressmaking -  BACON

Country Dressmaking
PEGGY BACON
American, (1895-1987)
Drypoint, 1925, Flint 55, edition unknown. 7 1/4 x 5 in. Signed in the plate, lower left. Signed, dated and titled in pencil. This is a superb impression with full margins. The condition is excellent. Note the cat in the lower right corner.
$1,500

Swing Shift -  BARNET

Swing Shift
WILL BARNET
American, (1911-)
Etching and aquatint, 1937, Szoke Editions 41, Cole 40; edition 30. 9 3/4 x 10 3/4 in. Signed and titled in pencil. This is a superb impression with full margins. The condition is excellent. This rare early work was printed and published by the artist.
$2,500

The Silk Dress (La Robe de Soie) -  BESNARD

The Silk Dress (La Robe de Soie)
ALBERT BESNARD
French, (1849-1934)
Etching, drypoint, aquatint and roulette, 1887, Godefroy 66 (iii/III), edition unknown. 14 5/8 x 9 3/8 in. Signed in pencil. Here we have a superb impression of this large work printed with plate tone. The margins are full and the condition is fine. Technically refined, this beautiful print is an exemplary work by the artist.
$1,800

Model with Bare arms Raised (Le Modèle nu les Bras Levés) -  BESNARD

Model with Bare arms Raised (Le Modèle nu les Bras Levés)
ALBERT BESNARD
French, (1849-1934)
Etching with traces of drypoint, 1925, Godefroy 128 (iii/IV); five impressions in this state, total unknown. 10 5/8 x 7 3/4 in. Signed in pencil. Also, inscribed "3et...4/5." This is a superb, luminous impression with full margins. The condition is fine apart from a minor paper flaw in the left margin near the image. This late work by the artist shows him still in great command of the medium with the skills of a master draftsman. The plate is known to have been destroyed but we don't have a precise edition.
$950

The Old Palace, Culross -  BONE

The Old Palace, Culross
MUIRHEAD BONE
Scottish, (1876-1953)
Drypoint, 1909, Dodgson supplement PCQ pg 192, edition 27. 7 3/4 x 10 1/2 in. Signed in pencil. This is a superb impression printed on Japanese paper. The margins are full and the condition is very good apart from slight light toning within an earlier mat opening. There are a couple of small spots of foxing in the margins.) This uncommon print by Bone is exquisite and beautifully printed, rich with burr.
$900

Street Scene from Above (Rue Vue d'en Haut) -  BONNARD

Street Scene from Above (Rue Vue d'en Haut)
PIERRE BONNARD
French, (1867-1947)
Lithograph printed in colors, 1899, Bouvet 62, edition 100. 14 3/4 x 9 in. Signed in pencil. This is a superb impression with the colors fresh. The margins are full and the condition is fine apart from a few subtle, minor undulations to the paper from the printing process. Published by Ambrose Vollard, this work is from the celebrated series of twelve plates, "Quelques Aspects de la Vie de Paris." The set was printed by the artist under the direction of Auguste Clot. Provenance: Henri M. Petiet (Lugt 5031).
SOLD

The Banks of the Cousin -  DAUBIGNY

The Banks of the Cousin
CHARLES-FRANCOIS DAUBIGNY
French, (1817-1878)
Etching, 1850-1851, Melot D69 (v/V), edition unknown. 7 1/2 x 5 3/4 in. Signed in the plate and with the reference to the printer, Delâtre, to the right. This is a fine impression printed on chine applique. The margins have been trimmed but measure roughly one inch around. (There's a small spot of foxing above the image at right.) This appealing print is from one of two albums of etchings, this being plate # 3 from the first set. Some impressions of this final state have Delâtre's address and some do not. Some bear the number three in the upper right and, once again, some do not. This impression is from the collection of Jules Gerbeau (Lugt 1166).
$950

Moonlit Night (Mannacht) -  DE GRAAG

Moonlit Night (Mannacht)
ANNA JULIE DE GRAAG
Dutch, (1877-1924)
Woodcut printed in colors, 1920, Cat. Grafiek GJ Nieuwenhuizen Segaar, no. 26; edition unknown. 8 1/2 x 6 1/2 in. Signed and dated in pencil. This is a fine impression printed on gray paper. The margins are full. The condition is fine. De Graag specialized in arts and crafts style woodcuts. She lived and worked in the Hague and studied at the Academy there with J.J. Aarts. The verso bears the stamp of Segaar over the publisher's stamp of Cornelius de Lorm.
$850

Four Ash Trees, Rhijnauwen (Vier essen, Rhijnauwen) -  DONKER

Four Ash Trees, Rhijnauwen (Vier essen, Rhijnauwen)
CHARLES DONKER
Dutch, (b. 1940)
Etching, 1976, Rijksmuseum CD 75-8, edition 50. 8 1/2 x 11 1/2 in. Signed and numbered in pencil. This is a superb impression of the fifth and final state. The margins are full and the condition is excellent. This is a stellar landscape etching by the artist.
$950

Flowering Orchard  -  DOW

Flowering Orchard
ARTHUR WESLEY DOW
American, (1857-1922)
Woodcut printed in colors, circa 1921, Green / Poesch, pg. 20; Moffatt pg. 73; edition unknown. 4 1/4 x 7 in. Signed and numbered in pencil"8" in the lower left corner of the image. This is a fine, subtle impression with small margins; so very typical of the artist. The condition is excellent. Variant colors exist with this as well as so many other Dow woodcuts. This print also goes by the title, Willows in Bloom, and Newbury Willows.
$10,000

Deserted Mansion -  DWIGHT

Deserted Mansion
MABEL DWIGHT
American, (1875-1955)
Lithograph, 1928, Robinson / Pirog 31, edition 30. 11 1/2 x 9 5/8 in. Signed and dated in pencil. This is a fine impression with full margins. The condition is excellent. Dwight often took the ferry from Manhattan to Staten Island and that's where she discovered this stately yet run down Victorian structure. A watercolor was done of the same subject and the edition was printed by George Miller.
$900

Winter, Central Park -  DWIGHT

Winter, Central Park
MABEL DWIGHT
American, (1875-1955)
Lithograph, 1931, Robinson / Pirog 58, edition 24. 10 x 11 1/2 in. Signed in pencil. Here we have a fine impression with full margins. The condition is also fine. The edition was printed by George Miller in New York.
$950

October Splendor -  GEARHART

October Splendor
FRANCES GEARHART
American, (1869-1959)
Block print printed in colors, 1930, Pasadena catalogue page 100, edition probably 30-50. 9 1/2 x 8 1/8 in. Signed and titled in pencil. This is a fine impression with vibrant colors printed on Japanese paper. The margins are full. The condition is very good other than for some stray printing ink in the water at right and some of the same in the left margin.
$5,500

Civic Insomnia -  GEERLINGS

Civic Insomnia
GERALD GEERLINGS
American, (1897-1998)
Aquatint, 1932, Czestochowski 28 (v/V), edition 38. 10 7/8 x 14 1/16 in. Signed and titled in pencil. This is a fine impression of this rare, masterful print. The margins are full and the condition is excellent. The paper has a slightly greenish tint which we've seen before in at least two other impressions. The catalogue lists twenty-nine impressions in museum collections which includes trial proofs and early state impressions. Like John Taylor Arms, Louis Rosenberg and Samuel Chamberlain, Geerlings was trained as an architect and later took up printmaking. This remarkable view of New York at night is done in pure aquatint without the assistance of etching to help define forms.
SOLD

Down Hill - West 152nd Street -  HASSAM

Down Hill - West 152nd Street
CHILDE HASSAM
American, (1859-1935)
Etching, 1931, Cortisson / Clayton 343, edition unknown. 6 x 4 in. Signed and dated in the plate. Signed and titled in pencil with the added inscription,"proof selected for Mrs. Lowinson by Childe Hassam." Here we have a superb, luminous impression of this very rare print. Done from a 1921 drawing, boys are shown playing marbles on the street and the background shows a view of the Hudson and the Palisades. The margins are full and the condition is fine. Frieda Lowinson was a prominent collector of Hassam prints and her stamp is on the verso (not in Lugt).
SOLD

City of Rag Pickers (Cité des Chiffonniers) -  LEPERE

City of Rag Pickers (Cité des Chiffonniers)
AUGUSTE LEPERE
French, (1849-1918)
Etching, 1895, Lotz-Brissonneau 102, edition 35. 8 1/2 x 10 1/8 in. Signed in the plate, lower left. Signed and numbered in pencil. This is a very fine impression printed on a cream laid paper. The margins are small but this is probably the full sheet as printed. The condition is very good other than for a small old hinge on the upper left corner margin, recto. Ex-collection the artist (Lugt 141). An annotation on the old mat states the print is from the collection of George Petit Didier.
$675

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William P. Carl Fine Prints

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TEL: (919) 294-8228 - CELL: (413) 221-2383
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