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Cat with a Frog -  HAVERKAMP-MACHWIRTH

Cat with a Frog
JOHANNA G. HAVERKAMP-MACHWIRTH
Dutch, (1874-1945)
Lithograph, 1929, edition 60. 16 3/8 x 12 3/4 in. Signed and dated on the stone, lower right. Signed and numbered in pencil. This is a fine impression on ivory wove paper. The margins are apparently full. The condition is fine apart from two mdest printing creases in the lower margin, outside of the image. She was married to G. C. Haverkamp, a Dutch artist also on this site. As a painter and lithographer, she lived and worked in Utrecht, Zwolle, and the Hague. She was remarkably skilled and her ability to draw was exceptional.
$750

Diogenes -  HAVERKAMP-MACHWIRTH

Diogenes
JOHANNA G. HAVERKAMP-MACHWIRTH
Dutch, (1874-1945)
Lithograph, 1928, edition 60. 10 7/8 x 15 in. Signed and dated on the stone, lower left. Signed and numbered in pencil. This is a fine impression printed on an ivory wove paper. The margins are full and the condition is fine. She was married to G. C. Haverkamp, a Dutch artist also on this site. As a painter and lithographer, she lived and worked in Utrecht, Zwolle, and the Hague. She was remarkably skilled and her ability to draw was exceptional.
$700

Airport -  HEASLIP

Airport
WILLIAM HEASLIP
American, (1898-1970)
Etching and aquatint, probably 1930s, edition 100. 11 7/8 x 15 in. Signed, titled and numbered in pencil. This is a superb impression with full margins on three sides. (The top margin is cropped a bit.) And, there's a tiny reinforced loss on the left margin edge. Born in Canada, Heaslip was interested in art and aviation from an early age. He joined the Royal Flying Corps and served in WWI. He later moved to New York and studied printmaking and painting at the Art Students League. Heaslip was also an illustrator.
SOLD

Les Petites Machines à Ecrire (The Little Typewriters) -  HERMANN-PAUL

Les Petites Machines à Ecrire (The Little Typewriters)
RENE GEORGES HERMANN-PAUL
French, (1864-1940)
Lithograph printed in colors, 1896, Johnson 64, not in BN-IFF, edition 100. 12 x 8 3/4 in. Initialed on the stone. Signed and numbered in pencil. This is a superb impression with full margins. Fine condition apart from minor toning in the upper left sheet corner. This print was published by Ambrose Vollard for his Album des Peintres-Gravures. The artist focused on social and political commentary and this early work has a Nabis like quality to it.
$3,500

Penitente Prayer -  KLOSS

Penitente Prayer
GENE KLOSS
American, (1903-1996)
Drypoint and aquatint, 1937, Sanchez 349, edition 25. 11 x 14 in. Signed and titled in pencil. This is a superb impression with full margins. The tonalities in the sky are beautifully rendered evoking an intensely spiritual image. The condition is fine apart from a minor soft wrinkle in the extreme upper left corner of the margin. This is an early, uncommon print. According to Phillips Kloss, "prayer was the humble aspect of the Penitente rituals..." (See page 32 of Gene Kloss Etchings (1981).
$3,800

Fast Mail -  KUHLER

Fast Mail
OTTO KUHLER
American, (1894-1977)
Etching, 1923, edition 30. 6 x 8 in. Signed in pencil and also inscribed "ed. 30" This is a fine impression with full margins. The condition is excellent. Born in Germany, Kuhler came to the United States in 1922. He was a skilled draughtsman, railroad designer and etcher and it was Joseph Pennell who encouraged him to take up printmaking.
$750

Restaurant -  LANDECK

Restaurant
ARMIN LANDECK
American, (1905-1984)
Engraving, 1951, Kraeft 109, edition 100. 12 x 15 7/8 in. Signed in pencil. Here we have a very fine impression with full margins. The paper is a sturdy white wove and the condition is excellent.
$1,500

Arch, Midnight -  LEWIS

Arch, Midnight
MARTIN LEWIS
American, (1881-1962)
Drypoint, 1930, McCarron 84, edition 99 plus 12 trial proofs. 8 x 11 1/2 in. Signed in the plate lower left. Signed in pencil. This is a superb, dark impression with full margins. The condition is fine with the printed surface pristine without any blemishes. According to McCarron, a possible source of inspiration for this print is L'Arche du Pont, Notre Dame, by Charles Meryon.
PRICE ON REQUEST

Snow on the El -  LEWIS

Snow on the El
MARTIN LEWIS
American, (1881-1962)
Drypoint and sand ground, 1931, McCarron 95, edition 49 including 5 trial proofs. 14 x 9 in. Signed in the plate. Signed in pencil, lower right. This is a superb, atmospheric impression of this great American print from the 1930s. The margins are full and the condition is excellent. The location depicted here is 23rd Street and Sixth Avenue in New York City.
PRICE ON REQUEST

Les Rochers Rouges, or, La Mer à Camaret -  LUCE

Les Rochers Rouges, or, La Mer à Camaret
MAXIMILIEN LUCE
French, (1858-1941)
Lithograph printed in colors, 1895, I.F.F 16, edition about 60. 12 1/4 x 17 3/8 in. Signed in blue pencil in the lower right. This is a superb impression printed on chine applique. The margins are full. The condition is fine. This colorful, engaging print was published by Gustave Pellet and bears his ink stamp in the lower right. (See Lugt 1190). The print also bears his initials (See Lugt 1194) and he numbered the print as well. Luce was friendly with Pissarro and Signac.
$3,500

Pavonia Avenue -  MARSH

Pavonia Avenue
REGINALD MARSH
American, (1898-1954)
Etching and engraving, 1928, Sasowsky 55 (vi/VI), highest known impression is 19. 7 x 10 7/8 in. Signed and dated in the plate. Signed and numbered "10/50" in pencil. This is a superb impression of this uncommon print. The margins are probably full and the condition is fine. As stated in the Sasowsky catalogue, page 52 under the section called Printing, "Therefore, when impressions numbered 18/50, 19/50, 20/50, 21/50 remained in Marsh's estate, it was concluded that Marsh actually printed twenty-one impressions of the proposed edition of 50." (This information applies to many of his prints.)
$4,000

Fantasy, A Group of figures -  MESQUITA

Fantasy, A Group of figures
SAMUEL JESSURUN DE MESQUITA
Dutch, (1868-1944)
Etching, 1927, Van Es D121, edition 15. 6 x 9 3/4 in. Signed and numbered in pencil. this is a superb impression with full margins. The condition is excellent. This is a nice example of Mesquita's "sensitivic" caricature etching style which began about 1910 and lasted until 1940. He produced these works in small editions and they were done primarily for fun but they also often have mystical and religious overtones and are ripe with social commentary. They are unique in the history of Dutch art and are an important aspect of Mesquita's graphic work.
$1,400

New York # 1 -  MEYEROWITZ

New York # 1
WILLIAM MEYEROWITZ
American, (1887-1981)
Etching, circa 1920, edition 40. 12x 9 7/8 in. Signed in pencil. Titled in pencil below possibly in another hand and with an annotation of "5/40." Here we have a fine impression printed on cream wove paper. The margins are substantial and possibly trimmed. The condition is fine apart from a subtle smudge or two outside of the platemark, upper right corner. Born in Russia, the artist came to this country in 1908. He studied at the National Academy of Design from 1912-1916. He was fully involved in the New York art scene and produced a small group of modernist skyscraper views which are among his best work. He also worked as an innovator in the color etching technique.
$1,400

Armistice Day, Fifth Avenue -  MEYEROWITZ

Armistice Day, Fifth Avenue
WILLIAM MEYEROWITZ
American, (1887-1981)
Etching, 1918, edition unknown. 10 x 8 in. Signed and dated in the plate. Signed in pencil. This is a fine impression printed on a light cream wove paper. The margins are substantial and probably full. The condition is fine. This dynamic print captures the excitement of this historic event.
$1,000

New York City -  MYERS

New York City
JEROME MYERS
American, (1867-1940)
Monotype, 1917, edition of one. 10 x 7 7/8 in. Signed in pencil. This is a fine impression printed on thin Japanese paper. The margins are full. The condition is fine apart from some wrinkles at the lower left margin edge and old hinges at the top. Monotypes by Myers are rare. This is inscribed by him along the bottom, "on Henry Street near Jackson Street" which places this in the lower east side of New York.
$2,000

Making the Engine -  NEVINSON

Making the Engine
CHRISTOPER R.W. NEVINSON
British, (1889-1946))
Lithograph, 1917, Black 16, edition 200 signed and 100 unsigned impressions. 16 7/8 x 11 7/8 in. Signed, dated and numbered in pencil. This is a fine impression with full margins. The condition is also fine. This powerful image was part of a series of six prints called Britain's Efforts and Ideals: Making Aircraft. This was first exhibited at the Fine Art Society, London and received a very positive response. This series was Nevinson's first commission upon being appointed an official war artist in 1917.
PRICE ON REQUEST

The Herdsman's Cottage or Sunset -  PALMER

The Herdsman's Cottage or Sunset
SAMUEL PALMER
British, (1805-1881)
Etching on a steel plate, 1850, Lister 2 (ii/II) 4 7/8 x 4 5/8 in. Initialed in the plate, lower left. This is a fine, luminous impression with wide margins from one of the published editions. The condition is fine other then for a soft small handling crease below the platemark, center. In this the final state, the etching was published three times; the Portfolio (1872), Examples of Modern Etching (1875)by Hamerton, and Etchers and Etching (1880), also by Hamerton. This impression is from one of these published editions.
$900

Boston view -  PREISSIG

Boston view
VOJTECH PREISSIG
American, (1873-1944)
Etching and aquatint printed in colors, circa 1920, small edition. 9 7/8 x 8 in. Signed in ink. This is a fine impression with full margins. The condition is good apart from some toning to the paper at the lower right and below,not affecting the image. This rare print depicts the Boston Harbor area with a view of the Customs House Tower. Preissig studied at the Prague School of Arts and Crafts and later worked with Mucha and Kupka in Paris. He moved to the United States in 1910 where he taught at Columbia with Arthur Wesley Dow. He also taught at the Wentworth Institute in Boston from 1916-26. When he was back in Prague, Preissig supported the Czech resistance and was arrested in 1940 for doing graphic design work for a magazine that had been outlawed by the Germans. He died in Dachau in 1944. (On the verso is an ink stamp in Czech which is a reference to authenticity, "pratvost potvrzuje.")
$900

Figures -  QUEST

Figures
CHARLES QUEST
American, (1904-1993)
Wood engraving, 1948, edition 25. 12 x 9 in. Signed and numbered in pencil. This is a fine impression with full margins. The condition is very good apart from two old hinges at the top of the sheet. Quest grew up in St. Louis and studied at the Washington University School of Fine Arts. he later taught there from from 1944 to 1971. His work is represented in numerous museums including the British Museum, Philadelphia Museum, MOMA and the Metropolitan Museum. This is a fine example of his work.
$750

La Neige (The Snow) -  RAFFAELLI

La Neige (The Snow)
JEAN-FRANCOIS RAFFAELLI
French, (1850-1924)
Etching, drypoint and aquatint printed in colors, 1906, Delteil 68, edition 200. 17 3/4 x 22 1/4 in. Signed and titled in pencil. This is a fine impression printed on a sturdy white wove paper. The margins are full and the condition is fine apart from a few spots of foxing on the verso. Raffaëlli was represented by Theo van Gogh in Paris. His worked was collected by Vincent and an impression of this print was found in Vincent van Gogh's estate. This is a large and exemplary work by the artist.
$2,800

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William P. Carl Fine Prints

P.O. Box 14688, Durham, NC 27709
TEL: (919) 294-8228 - CELL: (413) 221-2383
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