Blaze of Glory
EDMOND CASARELLA
American, (1920-1996)
Paper relief print, 1959, edition 12. 15 x 13 in. Signed, dated and titled in pencil. This is a fine impression printed on cream Japanese paper. The margins are full. The condition is excellent with the colors especially fresh. Ex-collection: James Heald. Casarella's innovative printmaking technique is discussed at length in David Acton's, A Spectrum of Innovation, Color in American Printmaking (1990), page 242. This is an outstanding example of his work.
$3,000

Self Portrait with H
FEDERICO CASTELLON
American, (1914-1971)
Etching, 1942, Freundlich 26, edition 50. 7 7/8 x 6 in. Signed in the plate, lower left. Signed and numbered in pencil. This is a fine, rich impression printed on a sturdy wove paper. The margins are full and the condition is excellent. Castellon was born in Spain and his family moved to Brooklyn in 1921. He was actively exhibiting in the early 1930s and had his first one man show at the Weyhe Gallery in 1934. His wife, Hulda, is shown standing behind the artist.
$750

Children reading (Literacy), Ninas Leyendos
ELIZABETH CATLETT
American, (1915-2012)
Lithograph, 1950, edition 30. 11 7/8 x 16 3/8 in. Initialed on the stone, lower left. Signed, dated and numbered in pencil. This is a fine impression with full margins. The condition is excellent. This beautiful print shows the influence of the Mexican printmakers of the time including Siquieros. Catlett began working at the Taller de Gráfica Popular in Mexico in 1946 and was active there until 1966. She married Francisco Mora (after divorcing Charles W. White) and became a Mexican citizen. She was friendly with Diego Rivera and Frida Kahlo. As seen here, Catlett embraced thoughtful and beautifully drawn subjects, producing portraits of black women and children as well as the Hispanic and Indian populations at her Mexican home. Previously, Catlett studied at Howard University and one of her teachers was Lois M. Jones. She later enrolled in the graduate program of the University of Iowa and was attracted to the work of Grant Wood who taught there and she studied drawing and painting with him. "Children Reading" is an uncommon print from a relatively small edition.
SOLD

Manhattan Old and New
SAMUEL CHAMBERLAIN
American, (1895-1975)
Drypoint, 1929, Chamberlain/Kingsland 81, edition 100. 8 7/8 x 7 in. Signed and numbered in pencil. The artist also titled the print in the lower margin. This is a fine, luminous impression with full margins. The condition is fine apart from a a couple of inherent paper imperfections in the sky and one tiny rust spot.
$675

Soarning Steel
SAMUEL CHAMBERLAIN
American, (1895-1975)
Drypoint, 1929, Chamberlain/Kingsland 79, edition 125. 12 3/8 x 9 5/8 in. Signed and numbered in pencil. Titled below by the artist. This is a superb impression with full margins. The condition is excellent. Here the artist depicts the Chicago Daily News building under construction. (Note: The catalogue lists an edition of 125 impressions but our impression is numbered from an edition of 100.)
SOLD

Gathering Wheat
MAX ARTHUR COHN
American, (1903-1998)
Screenprint, circa 1935-40, edition unknown. 13 5/8 x 20 in. Signed in ink in the image, lower right. This is a fine impression in excellent condition. The margins are full. This exemplary work shows the artist in command of screen printing as an artistic, painterly medium. Cohn moved from London to New York in 1905. He was employed by the WPA program and in the 1950s he taught Andy Warhol the basics of the silkscreen process.
SOLD

Fishermen
MAX ARTHUR COHN
American, (1903-1998)
Screenprint, 1945, edition 29. 10 x 13 3/8 in. Signed in ink within the image, lower right. This is a fine, rich impression in excellent condition. The margins are full. Cohn was one of the better screenprint artists working during the 1940s. He co-authored a book in 1942 with J. I. Biegeleisen called Silk Screen Stenciling as a Fine Art. This print shows the early morning hours as the fishermen board a rowboat heading for a larger fishing boat docked in the bay. The location is possibly Gloucester, MA.
$500

Mexican Family
HOWARD COOK
American, (1901-1980)
Lithograph, 1940, Duffy 200, edition 250. 10 1/4 x 13 3/8 in. Signed in pencil. This is a fine impression with wide margins. The condition is excellent. This endearing image was published by Associated American Artists in New York.
$750

New York Night
HOWARD COOK
American, (1901-1980)
Lithograph, 1931, Duffy 162, edition 75 (35 printed). 10 x 12 in. Signed on the stone, lower left. Signed and dated in pencil. This is a superb, luminous impression with full margins. The sheet shows a deckle edge on all sides. The condition is excellent. This stellar lithograph ranks among his finest views of the New York skyline.
$9,000

Sun and Desolation
HOWARD COOK
American, (1901-1980)
Woodcut, 1926, Duffy 34, edition 50. 9 1/4 x 13 3/4 in. Signed in the block, lower right. Signed in pencil. This is a superb impression printed on thin, cream japan paper. The margins are full and the condition is fine. This large work was probably done in Maine where he spent the summer of 1926.
$1,500

Country Store
HOWARD COOK
American, (1901-1980)
Etching, 1929, Duffy 106, edition 50 (40 printed). 5 7/8 x 9 in. Signed and numbered ("50") in pencil. This is a fine impression printed on thin Japanese paper. The margins appear to be full. The condition is fine apart from old hinges on the top corners of the sheet, verso. The location which inspired this print is Granville, MA which is not far from where the artist was born (Springfield, MA).
$1,500

Looking up Broadway
HOWARD COOK
American, (1901-1980)
Lithograph, 1937, Duffy 192, edition about 200. 13 x 9 1/2 in. Signed and date on the stone, lower left. This is a fine impression with full margins. The condition is very good apart from very slight time toning in the extreme outer edges of the sheet. This is from the unsigned edition published by the American Artists Group in New York. Duffy mentions there were also a few signed artist's proofs. This is an exceptional New York print and was included in the National Gallery Exhibition, "The Urban Scene 1920-1950," from February to August, 2017.
SOLD

Lower Manhattan
HOWARD COOK
American, (1901-1980)
Lithograph, 1930, Duffy 132, edition 75 (35 were printed). 14 x 10 in. Signed, dated and numbered in pencil "75." This is a superb impression with full margins. The print is also dedicated to Erhard Weyhe (1883-1972) who founded Weyhe Gallery in NY on Lexington Avenue in 1919. This is one of Cook's stellar New York lithographs and a potent statement about the rise of modernism against the background of New York City in the 1930s.
$7,000

Fiesta (Taxco)
HOWARD COOK
American, (1901-1980)
Etching, 1933, Duffy 173, edition 50 (30 printed) 10 7/8 x 14 1/4 in. Signed and dated in pencil and with the inscription "trial proof" in the lower left corner of the margin. This is a superb impression with small, slightly irregular margins. The condition is fine. This unusual proof impression is before the upper left corner was filled in and there is blank space around the small horse on the right side. The image is most effective and as appealing as the finished plate. It provides fascinating insight into Cook's working methods.
SOLD

Dog
HOWARD COOK
American, (1901-1980)
Wood engraving, 1929, Duffy 107, edition 100 (forty printed). 6 1/8 x 3 1/4 in. Signed in pencil and inscribed, "Greetings from Howard Cook - my self portrait." This is a very fine impression printed on thin japan paper and mounted at the top to a heavier support sheet. Fine condition. This was possibly intended as a holiday card and with the addition of "self portrait," I suspect the title of simply "Dog," does not tell the whole story here.
SOLD

Walpi
HOWARD COOK
American, (1901-1980)
Woodcut, 1927, Duffy 73, edition 50 (40 printed). 10 x 12 in. Signed, dated and titled in pencil. This is a fine, rich impression printed on thin Japanese paper. The margins are full but modest in size. The condition is excellent. Walpi is an ancient, continuously inhabited Hopi village established around 900 AD. The site is located in Arizona.
SOLD

Wood Interior
HOWARD COOK
American, (1901-1980)
Wood engraving, 1931, Duffy 171, edition about 150 (?) 6 1/2 x 4 1/8 in. Signed, dated and numbered in pencil. This is a fine impression printed on thin light cream wove paper. The margins are wide and the condition is fine. (There's just the faintest suggestion of toning within an earlier mat opening.) This is from the deluxe edition of 100 from The Checkerboard published by Weyhe Gallery in 1931.
$900

Engine Room
HOWARD COOK
American, (1901-1980)
Lithograph, 1930, Duffy 128; edition 75 (only 35 were printed). 10 1/8 x 12 1/8 in. Signed dated and numbered (75) in pencil. This is a superb impression printed on white wove paper. The margins are full and the condition is excellent. This is the engine room of the freighter SS Exhibitor. The Cooks traveled on this ship to Africa and Europe in 1929. Impressions of this work are found in The Metropolitan Museum of Art, the Smithsonian American Art Museum and the Philadelphia Museum of Art.
$4,800

Giant's Thumb (Monument Rock)
HOWARD COOK
American, (1901-1980)
Woodcut, 1926, Duffy 23, edition 50 (30 printed). 14 x 8 1/16 in. Signed in the block. Signed in pencil. This is a superb, luminous impression with full margins. The condition is excellent. This dramatic woodcut depicts this historic rock formation located in Monument Valley which covers Utah and Arizona.
$1,400

District Schoolhouse
HOWARD COOK
American, (1901-1980)
Woodcut, 1926, Duffy 18; edition 50 (25 printed). 17 1/4 x 12 3/4 in. Signed in the block, lower left. Signed, dated and titled in pencil. This is a superb impression printed on fibrous japan paper. The margins are full and the condition is fine apart from minor wrinkles here and there along the extreme margin edges. This large, early work is a powerful example of Cook's skills in the woodcut medium. Consider it a precursor to many fine works to come.
$1,850