|
 |
Ruffed Grouse STOW WENGENROTH American, (1906-1977) Lithograph, 1942, Stuckey 117, edition 60. 11 3/8 x 17 in. Signed and numbered in pencil. The print is also signed with the collector's mark of Edith Wengenroth, the artist's wife. This is a fine impression with full margins. The condition is excellent. $1,400 |
|
 |
Northern Coast STOW WENGENROTH American, (1906-1977) Lithograph, 1937, Stuckey 63, edition 65. 9 7/8 x 16 in. Signed and numbered in pencil. This is a fine impression with full margins. The condition is also fine. The location for this dramatic print is Rockport, MA. $850 |
|
 |
Cottage Window STOW WENGENROTH American, (1906-1977) Lithograph, 1970, Stuckey 334, edition 50. 15 1/4 x 11 3/8 in. Signed and numbered in pencil. This is a fine impression of this large, lovely print.
The margins are full and the condition is excellent. The location for this work was Greenport, New York, which is an historic village on the north fork of Long Island. SOLD |
|
 |
Victorian Era STOW WENGENROTH American, (1906-1977) Lithograph, 1947, Stuckey 167, edition 50. 12 7/8 x 9 5/8 in. Signed and numbered in pencil. This is a fine, rich impression of this stellar print. The margins are full and the condition is fine. The location for this print is Noank, CT. Noank is a village in the town of Groton. SOLD |
|
 |
Fog STOW WENGENROTH American, (1906-1977) Lithograph, 1942, Stuckey 114, edition only 20. 8 1/4 x 15 1/4 in. Signed and numbered in pencil. This is a fine impression with full margins. The condition is excellent. This impression bears the Edith Wengenroth collectors mark; a lighthouse with her initials. This rare print was done in Castine, ME. Note: this work was printed with two stones, one being a tint stone. The catalogue lists an edition of 20 but this impression says "ed 22." $1,100 |
|
 |
Greenport, 8 p.m. STOW WENGENROTH American, (1906-1977) Lithograph, 1953, Stuckey 211, edition 25. 9 7/8 x 15 7/8 in. Signed, titled and inscribed, "Artists proof," in pencil. Here we have a superb impression of this dramatic, rare print. The margins are full and the condition is fine. (There's a small wrinkle in the upper right corner of the margin.) This work depicts the Kipp House in Greenport, NY. Greenport is a village situated on the North Fork of Long Island. $5,000 |
|
 |
Race at Latimer Reef STOW WENGENROTH American, (1906-1977) Lithograph, 1946, Stuckey 163, edition 75. 8 x 15 1/4 in. Signed and numbered in pencil. This is a fine impression with full margins. The condition is excellent. This dynamic racing print was done in Noank, CT which is on the coast of Connecticut not far from Mystic. $750 |
|
 |
Foggy Morning STOW WENGENROTH American, (1906-1977) Lithograph, 1945, Stuckey 148, edition only 37. 7 3/4 x 13 5/8 in. Signed and numbered in pencil. This is a fine, atmospheric impression with full margins. The condition is excellent. The scene depicted here is in Port Clyde, ME. SOLD |
|
 |
Her Majesty STOW WENGENROTH American, (1906-1977) Lithograph, 1975, Stuckey 361, edition 60. 9 1/2 x 15 7/8 in. Signed and numbered in pencil and titled below. This is a fine impression with full margins. The condition is excellent. This charming, Victorian home was is/was located in Noank, CT. $1,250 |
|
 |
Fisherman's House STOW WENGENROTH American, (1906-1977) Lithograph, 1932, Stuckey 28, edition 50. 7 5/8 x 8 7/8 in. Signed in pencil. This is a fine impression with full margins. The condition is good apart from slight toning around the image from an earlier mat opening. There are traces of two paper hinges on the front at the top corners and two old cloth hinges on the verso also at the corners. This uncommon print was done in Eastport, ME. $1,600 |
|
 |
Grand Central, New York STOW WENGENROTH American, (1906-1977) Lithograph, 1949, Stuckey 183, edition 40. 8 11/16 x 16 in. Signed in pencil. This is a fine, rich impression of this uncommon print. The margins are full and the condition is excellent. Provenance: Kennedy Galleries, with their price code in pencil, lower right. Grand Central was opened in 1913 after ten years of construction. SOLD |
|
 |
From the Weather Bureau (New York) STOW WENGENROTH American, (1906-1977) Lithograph, 1940, Stuckey 106, edition 40. 10 1/4 x 17 in. Signed and numbered in pencil. Titled below in pencil. This is a superb impression with probably the full margins. Fine condition. There was a first edition of 3 impressions, then, the second published state was printed with a tint stone in an edition of 40. This print was based on a drawing done on the roof of the Weather Bureau at the Battery. $5,000 |
|
 |
Serenity STOW WENGENROTH American, (1906-1977) Lithograph, 1951, Stuckey 199, edition 100. 11 3/4 x 17 7/8 in. Signed and numbered in pencil. This is a fine impression with full margins. The condition is also fine apart from a very faint trace of light discoloration within an earlier mat opening and a suggestion of an old hinge adhesive showing in the upper right corner margin. This majestic print depicts the First Congregational Church in Litchfield, CT. Another building was constructed in 1829 in the Greek Revival style. In 1930, the third church building was built on the same site and the 1829 building was torn down. A major restoration project was done in 2005. $2,400 |
|
 |
Down East STOW WENGENROTH American, (1906-1977) Lithograph, 1958, Stuckey 149, edition 40. 9 1/8 x 15 7/8 in. Signed in pencil and inscribed "artists proof." It is titled below by the artist in pencil. This is a fine impression with full margins. Fine condition. The subject depicted is Marshall's Point Light Station. $1,500 |
|
 |
Sunlit Forest STOW WENGENROTH American, (1906-1977) Lithograph, 1941, Stuckey 113, edition 50. 11 1/8 x 14 3/4 in. Signed and numbered in pencil. Here we have a fine, luminous impression with full margins. The condition is excellent. This impression has the red stamp depicting a lighthouse and the initials E and W. which indicates this is from the collection of Edith Wengenroth, the artist's wife, (Not in Lugt). The scene here is in Winter Harbor, Maine.
$1,200 |
|
 |
Great Horned Owl STOW WENGENROTH American, (1906-1977) Lithograph, 1960, Stuckey 259, edition 50. 15 1/4 x 11 7/8 in. Signed and inscribed in pencil "artist's proof." The print is also titled below by the artist. Here we have a superb impression with full margins. The condition is excellent. The catalogue states this print was done in New York. SOLD |
|
 |
Five Owls STOW WENGENROTH American, (1906-1977) Lithograph, 1943, Stuckey 123, edition 50. 8 3/4 x 16 1/2 in. Signed and numbered in pencil. This is a fine impression of this charming print. The margins are full and the condition is fine. This impression bears Edith Wengenroth's collectors stamp which is printed in red showing a lighthouse and the letter E and W on each side. This mark is not recorded by Lugt. SOLD |
|
 |
Bird of Freedom STOW WENGENROTH American, (1906-1977) Lithograph, 1942, Stuckey 116, edition 200. 15 3/4 x 11 7/8 in. Signed in pencil. Here we have a fine impression of this patriotic, wartime print.
The margins are full and the condition is fine. (There's a wrinkle in the upper right corner margin, well away from the image.) This impression bears the red collectors mark of Edith Wengenroth, the artist's wife. She would put aside prints she was particularly fond of. $1,200 |
|
 |
Sunnyside STOW WENGENROTH American, (1906-1977) Lithograph, 1959, Stuckey 253, edition 50. 8 1/4 x 15 7/8 in. Signed in pencil. This is a fine impression with full margins. The condition is fine apart from a faint line of toning from an earlier mat opening. Sunnyside, in Tarrytown, N.Y., was the home of the American writer, Washington Irving. He was the author of "Rip van Winkle" and "The Legend of Sleepy Hollow." Irving bought a two room Dutch stone house on the banks of the Hudson River in 1835 and thoughtfully expanded it and today it looks much like it did in the 1850s. Sunnyside was declared a national historic landmark in 1962. $600 |
|
 |
Deep Forest STOW WENGENROTH American, (1906-1977) Lithograph, 1937, Stuckey 70, edition 60. 11 1/4 x 15 7/8 in. Signed and inscribed, "printers proof." This is a superb impression of this exquisite, early landscape. The margins are full and the condition is generally fine. (There's very faint rippling in the upper right corner margin and small spot of printer's ink in the extreme left margin, center). The scene depicted here is in Boothbay Harbor, Maine. $1,000 |
|