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Brooklyn Bridge STOW WENGENROTH American, (1906-1977) Lithograph, 1950, Stuckey 189, edition 40. 15 1/16 x 11 5/8 in. Signed and numbered in pencil. This is a superb impression with full margins. The condition is fine apart from a subtle, little spot of discoloration to the left of the image not noticeable from normal viewing distance.) This iconic image depicts Woolworth Building and the Municipal Building showing through the arches. Wengenroth also produced Brooklyn Bridge in Winter in 1955. SOLD |
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Hudson River (Storm) STOW WENGENROTH American, (1906-1977) Lithograph, 1939, Stuckey 86, edition only 18. 10 1/4 x 13 5/8 in. Signed in pencil. This is a fine impression with full margins. The condition is fine. (There's a faint bit of toning along the bottom edge of the sheet.) $1,600 |
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Foundry Interior STOW WENGENROTH American, (1906-1977) Lithograph, 1934, Stuckey 47, edition only 15. 10 3/8 x 13 1/4 in. Signed in pencil. Here we have a fine impression with substantial margins. The condition is fine apart from a very faint suggestion of a mat line from an early mount and a tiny paper loss in the lower right corner. This is a view near an abandoned quarry in Rockport, MA. This superb industrial image is a very unusual subject for Wengenroth. SOLD |
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Lower Fifth Avenue STOW WENGENROTH American, (1906-1977) Lithograph, 1959, Stuckey 256; edition 40. 10 1/8 x 15 7/8 in. Signed and numbered in pencil. Here we have a superb impression with wide margins. The condition is fine apart from some irregularity along the margin edges. According to Stuckey, the view is looking west on Eleventh Street. This is one of the artist's finest prints. SOLD |
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Maine Evening STOW WENGENROTH American, (1906-1977) Lithograph, 1945, Stuckey 147, edition 65. 11 1/2 x 16 5/8in. Signed and numbered in pencil. This is a fine impression with full margins. The condition is excellent. (The print is titled in ink at the lower margin edge, apparently by the artist.) The view depicted here is Port Clyde, Maine. SOLD |
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Miller's Wharf STOW WENGENROTH American, (1906-1977) Lithograph, 1931, Stuckey 16, edition 54. 15 3/4 x 11 1/4 in. Signed in pencil. This is a fine impression of this large, early work. The margins are full. The condition is fine apart from a slight suggestion of toning along the extreme right edge of the sheet, mainly verso, and along the extreme top edge, verso. This nicely designed print conveys some of the geometric thinking of Louis Lozowick. The scene depicted is Eastport, Maine. $1,200 |
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Ruffed Grouse STOW WENGENROTH American, (1906-1977) Lithograph, 1942, Stuckey 117, edition 60. 11 3/8 x 17 in. Signed and numbered in pencil. The print is also signed with the collector's mark of Edith Wengenroth, the artist's wife. This is a fine impression with full margins. The condition is excellent. $1,400 |
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Northern Coast STOW WENGENROTH American, (1906-1977) Lithograph, 1937, Stuckey 63, edition 65. 9 7/8 x 16 in. Signed and numbered in pencil. This is a fine impression with full margins. The condition is also fine. The location for this dramatic print is Rockport, MA. $850 |
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Cottage Window STOW WENGENROTH American, (1906-1977) Lithograph, 1970, Stuckey 334, edition 50. 15 1/4 x 11 3/8 in. Signed and numbered in pencil. This is a fine impression of this large, lovely print.
The margins are full and the condition is excellent. The location for this work was Greenport, New York, which is an historic village on the north fork of Long Island. SOLD |
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Victorian Era STOW WENGENROTH American, (1906-1977) Lithograph, 1947, Stuckey 167, edition 50. 12 7/8 x 9 5/8 in. Signed and numbered in pencil. This is a fine, rich impression of this stellar print. The margins are full and the condition is fine. The location for this print is Noank, CT. Noank is a village in the town of Groton. SOLD |
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Fog STOW WENGENROTH American, (1906-1977) Lithograph, 1942, Stuckey 114, edition only 20. 8 1/4 x 15 1/4 in. Signed and numbered in pencil. This is a fine impression with full margins. The condition is excellent. This impression bears the Edith Wengenroth collectors mark; a lighthouse with her initials. This rare print was done in Castine, ME. Note: this work was printed with two stones, one being a tint stone. The catalogue lists an edition of 20 but this impression says "ed 22." $1,100 |
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Greenport, 8 p.m. STOW WENGENROTH American, (1906-1977) Lithograph, 1953, Stuckey 211, edition 25. 9 7/8 x 15 7/8 in. Signed, titled and inscribed, "Artists proof," in pencil. Here we have a superb impression of this dramatic, rare print. The margins are full and the condition is fine. (There's a small wrinkle in the upper right corner of the margin.) This work depicts the Kipp House in Greenport, NY. Greenport is a village situated on the North Fork of Long Island. $5,000 |
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Race at Latimer Reef STOW WENGENROTH American, (1906-1977) Lithograph, 1946, Stuckey 163, edition 75. 8 x 15 1/4 in. Signed and numbered in pencil. This is a fine impression with full margins. The condition is excellent. This dynamic racing print was done in Noank, CT which is on the coast of Connecticut not far from Mystic. $750 |
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Foggy Morning STOW WENGENROTH American, (1906-1977) Lithograph, 1945, Stuckey 148, edition only 37. 7 3/4 x 13 5/8 in. Signed and numbered in pencil. This is a fine, atmospheric impression with full margins. The condition is excellent. The scene depicted here is in Port Clyde, ME. SOLD |
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Her Majesty STOW WENGENROTH American, (1906-1977) Lithograph, 1975, Stuckey 361, edition 60. 9 1/2 x 15 7/8 in. Signed and numbered in pencil and titled below. This is a fine impression with full margins. The condition is excellent. This charming, Victorian home was is/was located in Noank, CT. $1,250 |
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Fisherman's House STOW WENGENROTH American, (1906-1977) Lithograph, 1932, Stuckey 28, edition 50. 7 5/8 x 8 7/8 in. Signed in pencil. This is a fine impression with full margins. The condition is good apart from slight toning around the image from an earlier mat opening. There are traces of two paper hinges on the front at the top corners and two old cloth hinges on the verso also at the corners. This uncommon print was done in Eastport, ME. $1,600 |
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Grand Central, New York STOW WENGENROTH American, (1906-1977) Lithograph, 1949, Stuckey 183, edition 40. 8 11/16 x 16 in. Signed in pencil. This is a fine, rich impression of this uncommon print. The margins are full and the condition is excellent. Provenance: Kennedy Galleries, with their price code in pencil, lower right. Grand Central was opened in 1913 after ten years of construction. SOLD |
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From the Weather Bureau (New York) STOW WENGENROTH American, (1906-1977) Lithograph, 1940, Stuckey 106, edition 40. 10 1/4 x 17 in. Signed and numbered in pencil. Titled below in pencil. This is a superb impression with probably the full margins. Fine condition. There was a first edition of 3 impressions, then, the second published state was printed with a tint stone in an edition of 40. This print was based on a drawing done on the roof of the Weather Bureau at the Battery. $5,000 |
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Serenity STOW WENGENROTH American, (1906-1977) Lithograph, 1951, Stuckey 199, edition 100. 11 3/4 x 17 7/8 in. Signed and numbered in pencil. This is a fine impression with full margins. The condition is also fine apart from a very faint trace of light discoloration within an earlier mat opening and a suggestion of an old hinge adhesive showing in the upper right corner margin. This majestic print depicts the First Congregational Church in Litchfield, CT. Another building was constructed in 1829 in the Greek Revival style. In 1930, the third church building was built on the same site and the 1829 building was torn down. A major restoration project was done in 2005. $2,400 |
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Down East STOW WENGENROTH American, (1906-1977) Lithograph, 1958, Stuckey 149, edition 40. 9 1/8 x 15 7/8 in. Signed in pencil and inscribed "artists proof." It is titled below by the artist in pencil. This is a fine impression with full margins. Fine condition. The subject depicted is Marshall's Point Light Station. $1,500 |
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