Recent Acquisitions

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The Giant Stride -  PLATT

The Giant Stride
JOHN PLATT
British, (1886-1967)
Woodcut printed in colors, 1918, Chapman 5; projected edition of 150 and the recorded edition was 120. 6 5/8 x 16 1/4 in. Dated in the block, top edge, center. Signed and titled in pencil. This is a superb impression with probably the full margins. The condition is excellent. The Giant Stride was exhibited in 1922 at the 3rd International Exposition in Los Angeles organized by the Printmakers Society of California. This print was awarded the Gold Medal for best print in any medium. The artist used his family members as models for the figures in the print.
$2,850

Red Daisies -  ROYDS

Red Daisies
MABEL ROYDS
British, (1874-1941)
Woodcut printed in colors, 1930s, Barton 45, edition unknown. 5 1/4 x 5 3/8 in. Signed and numbered in pencil "45". This is a superb impression with rich colors. The background is printed as a monotype which is highly unusual for the artist The margins are narrow and the condition is fine. This impression came from the estate of the artist. We sold this very impression back in the 1980s and are pleased to have it again.
$1,750

Les Deux Trottins -  STEINLEN

Les Deux Trottins
THEOPHILE ALEXANDRE STEINLEN
French, (1859-1923)
Etching and aquatint, 1902, Crauzat 65 (iii/III); one of three proofs in the third state. 9 x 5 3/4 in. Signed in the plate and signed in pencil. Furthermore, this superb impression is inscribed "essai" (trial proof.) The condition is fine. The margins are wide if not full. Crauzat lists 19 proofs plus three trials, as we have here, in the third state. This is a rare print as such and so very typical of Steinlen's best imagery.
$2,500

Forest of Flame -  STERNBERG

Forest of Flame
HARRY STERNBERG
American, (1904-2001)
Lithograph, 1939, Moore 158, Warner 56; edition unknown. 12 1/2 x 16 1/2 in. Signed on the stone, lower right. Signed and titled in pencil. This is a fine impression with wide margins. The condition is excellent apart from a small, very faint spot of toning in the margin above the second smokestack on the left. This exemplary print from the period is illustrated and discussed in Graphic Excursions, American Prints in Black and White, 1900-1930, Selections from the Collection of Reba and Dave Williams (1991), entry 81. Impressions are located in the Art Institute of Chicago and the National Gallery of Art, among other institutions.
$6,000

Bosbeek, The Netherlands -  VAN GELDER

Bosbeek, The Netherlands
DIRK VAN GELDER
Dutch, (1907-1990)
Lithograph, 1925, Adam, Eliens/van den Noort-van Gelder L37; small edition. 14 1/8 x 11 3/4 in. Signed on the stone with the artist's monogram. Signed in pencil. This is a fine impression printed on a light tan/grey chine applique. In very good condition apart from a one inch repaired tear in the upper margin and soft handling creases in the upper margin. This lovely and highly detailed work is a nice example of Van Gelder's work.
$1,250

The Dinkel  -  VAN GELDER

The Dinkel
DIRK VAN GELDER
Dutch, (1907-1990)
Etching, 1934, Adam/Eliens/van den Noort-van Gelder E45; small edition. 6 1/4 x 8 1/2 in. Signed and dated in the plate, lower right. Signed in pencil. This is a very fine impression with full margins. The condition is excellent. The Dinkel is a long river which covers Germany and the Netherlands.
$550

DuneRoses (Duinrozen) -  VAN GELDER

DuneRoses (Duinrozen)
DIRK VAN GELDER
Dutch, (1907-1990)
Wood engraving, 1939, Adam/Eliens/van den Noort-van Gelder H167; edition 40. 4 1/8 x 5 in. Signed and numbered in pencil. This a fine impression with full margins. The condition is excellent. The artist was particularly fond of flowers as they appear in his lithographs, etchings and wood engravings. Nature was van Gelder's main source of inspiration.
$400

Gorge, Taormina (Berkloof in Taormina, Sicily) -  VAN GELDER

Gorge, Taormina (Berkloof in Taormina, Sicily)
DIRK VAN GELDER
Dutch, (1907-1990)
Etching, 1930, Adam/Eliens/van den Noort-van Gelder E17; small edition. 7 5/8 x 5 1/2 in. Signed and dated in pencil. This is a superb impression in fine condition. The margins are full. This is an exquisite and rare rare early work. The artist returned to this exact location and did a similar print in 1981.
SOLD

School Gardens (on the grounds near the Museum den Haag) Schooltuinen (op het terrein van het huidige Museon Den Haag) -  VAN GELDER

School Gardens (on the grounds near the Museum den Haag) Schooltuinen (op het terrein van het huidige Museon Den Haag)
DIRK VAN GELDER
Dutch, (1907-1990)
Lithograph, 1928 (1949?), Adam/Eliens/van den Noort-van Gelder L52; edition 10. 12 3/8 x 9 1/2 in. Signed on the stone with the artist's monogram, lower left. The number 49 appears in the lower right corner of the image. The print is signed and numbered in pencil. This is a fine impression with full margins. There's a repaired tear in the upper edge of the margin, far from the image. Also, the top edge verso shows some thin spots. The catalogue dates this to 1928. The meaning of "49" in the lower right corner refers to the artist documenting his 49th lithograph.
$900

Oak Trees in Wassenaar (Eikenbomen in Wassenaar) -  VAN GELDER

Oak Trees in Wassenaar (Eikenbomen in Wassenaar)
DIRK VAN GELDER
Dutch, (1907-1990)
Etching, 1932, Adam/Eliens/vandenNoort-vanGelder E37; small edition. 6 3/4 x 8 5/8 in. Initialed in the plate, lower right. Signed in pencil. This is a superb impression printed on a light gray chine applique. The margins are full and the condition is fine. This a lovely image rendered in a traditional 17th century Dutch manner.
$700

Three Trees (Drie Bomen) -  VAN GELDER

Three Trees (Drie Bomen)
DIRK VAN GELDER
Dutch, (1907-1990)
Etching with roulette, 1974, Adam/Eilens/van den Noort-van Gelder E128; small edition. 8 7/8 x 10 7/8 in. Signed and dated in the plate. Signed in pencil. This is a fine impression printed on light gray chine applique. The margins are full and the condition is excellent. Van Gelder was a masterful draughtsman in the tradition of Seghers, Rembrandt, and Bresdin. In fact, he is the author of the catalogue raisonne of Bresdin's etchings which was published in 1976. The artist taught at the city's Royal Academy of Art from 1952-1972 and he helped establish the Hague Etching Club in 1984.
$1,100

Gorge near Taormina (Gorge near Taormina, Sicily) -  VAN GELDER

Gorge near Taormina (Gorge near Taormina, Sicily)
DIRK VAN GELDER
Dutch, (1907-1990)
Etching, 1975, Adam, Eliens/van den Noort-van Gelder E129; small edition. 11 1/2 x 12 3/16 in. Signed and dated in the plate. Signed in pencil, lower right. This is a fine impression printed on a light tan chine applique. The margins are full and the condition is excellent. This is a superb example of his work. Van Gelder first visited Sicily in the late 1920s and it continued to inspire him years later. Early drawings were often the basis for later etchings.
$1,300

A Tribute to Rodolphe Bresdin (Hommage à Rodolphe Bresdin) -  VAN GELDER

A Tribute to Rodolphe Bresdin (Hommage à Rodolphe Bresdin)
DIRK VAN GELDER
Dutch, (1907-1990)
Etching, 1964, Adam/Eliens/van den Noort-van Gelder E125; small edition. 7 1/8 x 8 1/8 in. Signed, dated and titled in the plate, lower left. Signed in pencil. This is a very fine, luminous impression with full margins. The condition is also fine. Van Gelder was inspired by the work of Bresdin and he also was the author of the catalog raisonne published in 2007.
$750

Lush green vegetation (Garden with Birds) -  VAN GELDER

Lush green vegetation (Garden with Birds)
DIRK VAN GELDER
Dutch, (1907-1990)
Wood engraving, 1943, Adam/Eliens/van den Noort-van Gelder H170; small edition. 6 1/4 x 4 1/4 in. Initialed in the block and initialed in pencil. This a fine impression in fine condition. The margins are full. This exquisite wood engraving by van Gelder was inspired by a Brussels tapestry from circa 1550 by Willem de Pannemaker (active 1535-1578).
$400

Christmas Eve and New Year (Kerstnacht - Nieuwjaar) -  VAN HOYTEMA

Christmas Eve and New Year (Kerstnacht - Nieuwjaar)
THEO VAN HOYTEMA
Dutch, (1863-1917)
Lithographs, 1894, Rijksmuseum/deGroot 48 and 49 (ii/II); edition 200. each image measures 16 x 9 3/4 in. Each image is signed and dated on the stone. Each is signed and numbered in pencil. These are excellent, rich impressions with full margins. The condition of both sheets is rarely this fine. To quote Cliff Ackley, "The prints' tall vertical format suggests Asian hanging scrolls, and both have symbolically related decorative borders along the bottom edge. The images are for Hoytema unusually abstract and ornamental in feeling." (See page 78, Holland on Paper in the Age of Art Nouveau (2014). This iconic pair of lithographs is quite rare today and represents Dutch Art Nouveau (Nieuwe Kunst) at its best.
$9,000

The Kitchen -  WHISTLER

The Kitchen
JAMES A. MCNEILL WHISTLER
American, (1834-1903)
Etching, 1858, Glasgow 16 (ii/II); Kennedy 24 (ii/III); Glasgow cites 67 known impressions. 9 x 6 1/4 in. Signed in the plate, lower right. This is a very fine, rich impression printed on a light cream laid paper. The margins are substantial. The condition is excellent. This outstanding, early work was published in the French Set in this state. Auguste Delâtre was the printer and his name and address appear in the plate, lower right.
$8,000

Seed Time and Harvest -  WOOD

Seed Time and Harvest
GRANT WOOD
American, (1891-1942)
Lithograph, 1937, Johnson 2, edition 250 7 3/8 x 12 1/8 in. Signed and dated in pencil, lower right. This is a fine impression in superb condition. The margins are full. This is an exemplary lithograph from Wood's early work.
$7,000

Fertility -  WOOD

Fertility
GRANT WOOD
American, (1891-1942)
Lithograph, 1939, Johnson 14, Cole 15; edition 250. 9 x 11 3/4 in. Signed in pencil, lower right. This is a fine impression with full margins. The condition is fine apart from old hinges at the top corners. This is one of Wood's best prints and the edition was printed by George Miller. The watermark is GCM.
SOLD

In the Spring -  WOOD

In the Spring
GRANT WOOD
American, (1891-1942)
Lithograph, 1939, Johnson 13, Cole 13; edition 250. 8 7/8 x 11 3/4 in. Signed in pencil. This is a very fine impression with full margins. The condition is outstanding. In his excellent 2016 catalog of Grant Wood's lithographs, Bruce Johnson writes the following about this print: "...the lithograph transcends from being a portrait of one individual to a symbol of all farmers and their relationship to their land." (pg. 105). The paper bears a RIVES watermark and was printed by George Miller in New York.
$6,500

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William P. Carl Fine Prints

P.O. Box 14688, Durham, NC 27709
TEL: (919) 294-8228 - CELL: (413) 221-2383
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