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Sunset on Westcliff ANDREA RICH American, (b. 1954) Woodcut printed in colors, 2017, edition 25. 12 x 16 in. Signed in the block with the artist's monogram. Signed, dated, numbered and titled in pencil. This is a fine impression with full margins. The condition is excellent. $450 |
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Wood Ducks ANDREA RICH American, (b. 1954) Woodcut printed in colors, 2015, edition 30. 12 x 16 1/8 in. Signed in the block with the artist's monogram. Signed, dated, titled and numbered in pencil. Here we have a fine, vibrant impression with full margins. The condition is excellent. $450 |
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Cranes in Mist ANDREA RICH American, (b. 1954) Woodcut printed in colors, 2008, edition 30. 12 x 16 1/8 in. Signed in the block with the artist's monogram. Signed, dated, titled and numbered in pencil. This is a very fine impression with full margins. The condition is excellent. $450 |
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The Flock (State I) ANDREA RICH American, (b. 1954) Woodcut printed in colors, 2017, edition 10. 12 x 15 3/4 in. Signed, dated, titled and numbered in pencil. This is a superb, vibrant impression with full margins. The condition is excellent. $450 |
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Northern Hawk Owl ANDREA RICH American, (b. 1954) Woodcut printed in colors, 2011, edition 30. 12 1/8 x 16 in. Signed in the block with the artist's monogram. Signed, dated, titled and numbered in pencil. Here we have a superb impression with full margins. The condition is excellent. $600 |
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Owl with Dragonflies ANDREA RICH American, (b. 1954) Woodcut printed in colors, 2015, edition 30. 16 1/8 x 16 in. Signed in the block with the artist's monogram. Signed, titled, dated and numbered in pencil. This is a superb impression with full margins. The condition is excellent. $590 |
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Barred Owl ANDREA RICH American, (b. 1954) Woodcut printed in colors, 2001, edition 30. 16 x 20 in. Signed, dated, numbered and titled in pencil.
This is a fine impression with full margins. The condition is also fine. Rich's work is inspired by traditional Japanese woodblocks. It differs in that she uses both multiple blocks and the reduction method in which a single block is carved, printed and re-carved multiple times. Instead of watercolor her blocks are printed with oil based inks. Her work is highly sophisticated with vibrant colors and beautiful designs. The editions are small as the process, from beginning to end, is extremely labor intensive. She designs, carves and prints all her own work. $740 |
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Afternoon at Max's ROBERT RIGGS American, (1896-1970) Lithograph, circa 1932-33, Bassam 21, edition aboout 15-20. 15 1/4 x 20 3/4 in. Signed and titled in pencil. Here we have a fine impression with strong contrasts. The margins are full and the condition is fine apart from a minor thin spot in the upper margin edge away from the image. This was the gym of Max "Booboo" Hoff located in Philadelphia. $3,800 |
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Rhododendron LUIGI RIST American, (1889-1959) Woodcut printed in colors, 1942, Williams 10, edition 100 or 150. 13 1/8 x 10 in. Signed in ink within the image and titled in pencil just below the image. This is a superb, luminous impression of this uncommon print. The margins are modest in size but this is probably the full sheet as printed. Fine condition overall apart from a faint mat line showing in the margins. This is one of Rist's finest woodcuts. $4,000 |
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Sea Shell and Garlic LUIGI RIST American, (1889-1959) Woodcut printed in colors, 1947, Williams 22, edition 150. 9 1/4 x 7 1/8 in. Signed in ink, lower right, within the image. Titled in pencil. Here we have a very fine impression printed on thin Japanese paper. The margins are modest but this is probably the full sheet as printed. This is a nice example of his work. $2,500 |
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Fish Tank LUIGI RIST American, (1889-1959) Woodcut printed in colors, 1944, Williams 16, edition 150. 9 1/4 x 11 3/4 in. Signed in ink within the image, lower right. Titled and numbered in pencil. This is a fine, luminous impression with full margins. The condition is excellent. Rist was probably introduced to the woodcut medium by Morris Blackburn when they visited a show of Japanese prints in New York. Yet Rist was essentially self-taught and designed, cut and printed his own blocks. This print is illustrated on page 171 of American Prize Prints of the Twentieth Century by Albert Reese. $3,500 |
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The Dreamer HULDA D. ROBBINS American, (1910-2011) Screenprint, 1947, edition 35. 14 x 10 in. Signed, dated and titled in pencil. This is a fine impression in fine condition. The margins are full. Hulda Robbins studied in Berlin from 1929-31 where she was greatly inspired by the work of Kollwitz. She also studied at the Barnes Foundation. Best known for her artistic screenprints, she's part of the pioneering group which included Ruth Chaney, Max Cohn, Ruth Gikow, Philip Hicken and Edward Landon and Riva Helfond, among others. Her prints have been exhibited at MOMA and the Philadelphia Museum of Art. She resided in New Jersey in her later years and lived to be 100. SOLD |
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Morning's at Seven HULDA D. ROBBINS American, (1910-2011) Screenprint (in nine colors), 1941, edition 50. 13 1/4 x 10 1/4 in. Signed, dated and titled in pencil. This is a fine impression in fine condition. The margins are full. This New York/New Jersey printmaker specialized in artistic screenprints which are refined in color and composition. This endearing image brings to mind the work of Raphael Soyer. $950 |
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Beacon, East River (New York) HULDA D. ROBBINS American, (1910-2011) Screenprint, 1947, edition 45. 14 1/4 x 10 1/4 in. Signed, dated and titled in pencil. This is a fine impression in fine condition. The margins are full and the condition is excellent. An impression of this dynamic print is in the Smithsonian in Washington, D.C. SOLD |
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Ferry to Welfare Island, N.Y.C. HULDA D. ROBBINS American, (1910-2011) Screenprint, 1941, edition 45. 10 1/4 x 14 in. Signed, dated and titled in pencil. This is a fine impression in fine condition. The margins are full. Roosevelt Island in New York was known as Welfare Island from 1921-1971. It was renamed after Franklin D. Roosevelt. $1,000 |
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Cleared Range HULDA D. ROBBINS American, (1910-2011) Screenprint, 1947, edition 45. 13 x 10 1/4 in. Signed, dated and titled in pencil. This is a fine impression in fine condition. The margins are full. Best known for her highly artistic screenprints, Robbins was part of the pioneering group which included Philip Hicken, Edward Landon, Dorr Bothwell, Ruth Gikow and others. Robbins was a long time resident of New Jersey. $900 |
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House at Gregory Point (Colorado) ARNOLD RONNEBECK American, (1885-1947) Lithograph, 1934, edition 25. 13 x 9 in. Signed, titled, dated and numbered in pencil. Here we have a fine impression in fine condition. The margins are full. Ronnebeck lived in Colorado as he was the Art Director of the Denver Art Museum from 1926-1931. He did several prints of the mining industry back then and this print depicts that theme. Gregory Point was near Central City. $700 |
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Atlantic ARNOLD RONNEBECK American, (1885-1947) Lithograph, 1929, edition 50. 11 1/2 x 7 1/2 in. Signed, dated, titled and numbered in pencil. This is a fine impression in fine condition. The margins are full. Ronnebeck sailed to Germany from New York with his wife Louise on the S.S. Dresden and returns on the Hamburg Amerika line. This was a three week trip. This distinctive and powerful print shows Ronnebeck's skills as a lithographer. $1,500 |
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Colorado Gold Mine ARNOLD RONNEBECK American, (1885-1947) Lithograph, 1933, edition 25 10 x 13 1/2 in. Signed, dated, titled and numbered in pencil. This is a fine impression with full margins. The condition is fine apart from faint rippling along the top margin. This is one of several Colorado mining related scenes done when the artist was living in Denver. 1933 was also the year he became an American citizen having been born in Germany. $1,200 |
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Grand Lake, Colorado ARNOLD RONNEBECK American, (1885-1947) Lithograph, 1932, edition 50. 12 3/4 x 8 1/4 in. Signed, dated, titled and numbered in pencil. This is a fine impression of this sailing subject produced in a modernist style. The margins are full and the condition is excellent. SOLD |
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