Royal Haymarket Theatre (London)
JOSEPH PENNELL
American, (1857-1926)
Etching, 1906, Wuerth 408, edition probably 75. 11 x 7 7/8 in. Signed in pencil. Here we have a fine impression printed on antique laid paper. The margins are probably original but there's a loss in the lower right corner and the margin is narrow at the top. The condition is fine overall. (There's a subtle printing crease in the right side of the image.) Haymarket Theatre is a West End theatre and dates to 1720.
$550

Woman Picking Cabbages (Femme Cueillant des Choses)
CAMILLE PISSARRO
French, (1830-1903)
Etching and drypoint, 1888, Delteil/Cailac 77 (ii/VII); edition 17. 4 x 2 3/8 in. Signed in pencil and inscribed "2e état - No. 2." The print is titled below by the artist. There's an authentication inscription on the verso, top, by Georges Henri Manzana Pissarro, the artist's son. This is a fine impression of this extremely rare early state before the plate was overworked. The condition is fine apart from slight rippling on the outer edges of the sheet and a very subtle wrinkle in the top left corner margin. There were only 17 lifetime impressions of this print.
$4,200

Eglise d'Osny, Pres Pontoise
CAMILLE PISSARRO
French, (1830-1903)
Etching, drypoint and aquatint, 1885, Delteil / Cailac 62 (iv/IV), edition 50. 4 3/4 x 6 1/4 in. Not signed in the image. This is a fine impression from the only posthumous edition of 50 printed in 1920. (There were only 12 lifetime impressions.) The margins are full and the condition is excellent. The print bears the posthumous stamp (Lugt 613) and is numbered. Given the rarity of so many of Pissarro's lifetime editions, later printings are a welcome opportunity for collectors who enjoy his work.
$2,200

Marché aux Légumes, à Pontoise (Vegetable Market, Pontoise)
CAMILLE PISSARRO
French, (1830-1903)
Etching snd aquatint, 1891, Delteil/Cailac 97 (ii/II), edition 500. 10 x 8 in. Unsigned. This is a very good impression with wide margins. The condition is quite good apart from three very small spots of discoloration in the margins. This is from the edition of 500 which was published in the first edition of the Loys Delteil catalogue raisonné on Pissarro. The plate was steel faced for this 1923 printing.
$2,400

The Giant Stride
JOHN PLATT
British, (1886-1967)
Woodcut printed in colors, 1918, Chapman 5; projected edition of 150 and the recorded edition was 120. 6 5/8 x 16 1/4 in. Dated in the block, top edge, center. Signed and titled in pencil. This is a superb impression with probably the full margins. The condition is excellent. The Giant Stride was exhibited in 1922 at the 3rd International Exposition in Los Angeles organized by the Printmakers Society of California. This print was awarded the Gold Medal for best print in any medium. The artist used his family members as models for the figures in the print.
SOLD

Landscape 2015-II
GRIETJE POSTMA
Dutch, (b. 1961)
Woodcut printed in colors, 2015, edition 26. 14 5/8 x 23 in. Signed, dated, titled and numbered in pencil. This is a superb impression in fine condition. The margins are full. As with all of Postma's work, this exemplary woodcut is printed from a single block. This is not a multiple block woodcut in the Japanese tradition, but rather, a reduction woodcut printed from a single piece of wood. The artist makes an initial design on the block and then prints the entire edition. She returns to the block and makes more design changes and then re-inks the block and prints on top of the same sheets of paper. This process continues and the end result is a build up of layers of ink resulting in a subtle yet rich overlay of colors. There is very little margin for error in this time consuming yet rewarding process. Grietje Postma is one of the finest woodcut artists working in Holland today.
$950

View of St. Vitus Cathedral at Prague Castle
VOJTECH PREISSIG
American, (1873-1944)
Etching and aquatint printed in colors, undated , edition unknown. 13 3/8 x 8 3/8 in. Signed in pencil and with an inscription "c.73." This is a superb impression of this large, rare work. The margins are full. The condition is fine. Preissig studied at the Prague School of Arts and Crafts and later worked with Mucha and Kupka in Paris. He moved to the United States in 1910 where he taught at Columbia with Arthur Wesley Dow. He also taught at the Wentworth Institute in Boston. When he was back in Prague, Preissig supported the Czech resistance and was arrested in 1940 for doing graphic design work for a magazine that had been outlawed by the Germans. He died in Dachau in 1944.
$2,000

La Neige (The Snow)
JEAN-FRANCOIS RAFFAELLI
French, (1850-1924)
Etching, drypoint and aquatint printed in colors, 1906, Delteil 68, edition 200. 17 3/4 x 22 1/4 in. Signed and titled in pencil. This is a fine impression printed on a sturdy white wove paper. The margins are full and the condition is fine apart from a few spots of foxing on the verso. Raffaëlli was represented by Theo van Gogh in Paris. His worked was collected by Vincent and an impression of this print was found in Vincent van Gogh's estate. This is a large and exemplary work by the artist.
$2,500

Trottins (Errands)
RICHARD RANFT
Swiss, (1862-1931)
Etching, 1894, Stein / Karshan 61, edition 100. 15 5/8 x 10 1/8 in. Signed in the plate, lower left. Signed and numbered in pencil. This is a fine impression printed on a sturdy cream paper. The margins are full and the condition is fine. This memorable work was published in L'Estampe Originale (Album VIII, plate 78) and bears their blindstamp in the lower left corner of the sheet. This impression is from the collection of Rudolf L. Mayer (Lugt 4534).
$2,400

Masked Ball (Bal Masqué)
RICHARD RANFT
Swiss, (1862-1931)
Etching and aquatint printed in colors, 1899, edition 30. 11 5/8 x 14 5/8 in. Signed in the plate, upper left corner. Signed and numbered in pencil. This is a fine impression printed on cream ARCHES watermarked paper. The margins appear to be full and untrimmed. This print was probably printed by Eugène Delâtre and published by Sagot. Ranft was born in Switzerland and later moved to Paris where he studied with Courbet and learned about engraving from from Augustin-Alexandre Dumont. He was a full member off the the Société Nationale des Beaux-Arts. Ranft produced about eighty-five etchings in color which are considered his finest medium. Ex-collection: Eric Carlson, New York.
SOLD

Centaure Aiming at the Clouds (Centaure Visant les Nues)
ODILON REDON
French, (1840-1916)
Lithograph, 1895, Mellerio/Hyman 133, edition 50. 11 1/4 x 9 1/2 in. Signed on the stone, lower right. Signed in pencil. This is a fine impression printed on chine appliqué. The margins are wide. The condition is good apart from some toning on the verso and imperfections showing on the chine, primarily on the extreme edges of the sheet which is a light gray. This is a proof without the tiny, printed title and edition "50 ep." just below the image at center. The catalogue mentions that a few of these were printed in black and green ink. One such example is found at the Kröller-Muller Museum in the Netherlands.
SOLD

Symbolic Figure, Facing Right
GERTRAUD B. REINBERGER
Austrian, (1903-1992)
Woodcut, circa 1920, edition unknown. 12 x 7 7/8 in. Signed in pencil. A superb impression in very good condition. Minor foxing, verso, along bottom edge of sheet. Wide if not full margins. Little is know about her lift as an artist. Her designs and symbolic imagery is quite unique and her prints are rare.
SOLD

Salome
GERTRAUD B. REINBERGER
Austrian, (1903-1992)
Woodcut, 1920-25, edition unknown. 15 5/8 x 7 7/8 in. Signed in pencil. A fine impression on Japanese paper. Fine condition. Full margins. Reinberger's extraordinary woodcuts developed in part from her family's friendship with Josef Hoffmann. Her work is well-represented at the Albertina.
$2,000

Four Figures; One Kneeling
GERTRAUD B. REINBERGER
Austrian, (1903-1992)
Woodcut, 1920, edition unknown. 10 1/4 x 9 1/4 in. Signed and dated in pencil. This is a very good impression with full margins. The condition is excellent. She studied at the School of Applied Arts in Vienna and made her first woodcut in 1916. She rarely dated her prints as we have here. There's a large group of her prints in the Albertina.
$1,500

Du Quai de Grenelle (From the Quai de Grenelle)
HENRI RIVIERE
French, (1864-1951)
Lithograph printed in colors, 1888-1902, Fields, pp. 77-78, edition 500. 6 5/8 x 8 3/8 in. Signed on the stone with the artist's red monogram. This is a fine impression in fine condition. The margins are full. This is plate 18 from the celebrated series Les Trentes-Six Vues de la Tour Eiffel. Certainly, the influence of Hokusai and his Thirty-Six Views of Mount Fuji cannot be understated.
$850

Du Bois de Boulogne (From the Bois de Boulogne)
HENRI RIVIERE
French, (1864-1951)
Lithograph printed in colors, 1888-1902, Fields, pp. 77-78, edition 500. 6 3/4 x 8 3/8 in. Signed on the stone with the monogram. This is a fine impression in fine condition. The margins are full. This is plate 22 from Les Trentes-Six Vues de la Tour Eiffel, as printed by Eugene Verneau. This remarkable series is considered by many to be Riviere's best work in lithography.
$700

Du Quai de Javel (From the Quai de Javel, Switchman's Hut)
HENRI RIVIERE
French, (1864-1951)
Lithograph printed in colors, 1888-1902, Fields, pp. 77-78, edition 500. 6 3/4 x 8 3/8 in. Signed on the stone with the monogram. This is a fine impression with full margins. The condition is excellent. This is plate 28 from the series Les Trente-Six Vues de la Tour Eiffel.
$800

De l'Estacade (From the Estacade Footbridge)
HENRI RIVIERE
French, (1864-1951)
Lithograph printed in colors, 1888-1902, Fields, pp. 77-78, edition 500. 6 3/4 x 8 3/8 in. Signed on the stone with the monogram. This is a fine impression in fine condition. The margins are full. This is plate 33 from Les Trentes-Six Vues de la Tour Eiffel, as printed by Eugene Verneau. This remarkable series is considered by many to be Riviere's best work in lithography.
SOLD

The Beech Woods at Kerzardern (Le Bois de Hetres à Kerzardern)
HENRI RIVIERE
French, (1864-1951)
Lithograph printed in colors, 1917, Fields pg. 80; edition 500 unsigned and 100 signed impressions. 9 1/8 x 14 1/8 in. Signed on the stone, lower left, and also with the artist's printed monogram in red. Here we have a superb impression with fresh colors. The margins are full and the condition is fine. This is plate 20 from the series "Le Beau Pays de Bretagne," printed and published by Eugène Verneau, Paris. Based on the dates given by Fields, this would be the last print made by Riviere.
$1,500

The Island of Bréhat (L'ile de Bréhat)
HENRI RIVIERE
French, (1864-1951)
Lithograph printed in colors, 1913, Fields pg. 79; edition 500 unsigned and 100 signed impressions. 9 x 13 7/8 in. Signed on the stone, lower right, along with the printed red artist's monogram. This is a superb impression with full margins. The condition is fine. This is plate 16 from the series, "Le Beau Pays de Bretagne," printed and published by Eugène Verneau, Paris.
$1,500