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Far Across the Rio Grande GENE KLOSS American, (1903-1996) Etching, 1939, Sanchez 361, edition 75. 10 x 14 in. Signed and titled in pencil. This impression is also inscribed by the artist, "artist's proof." This is a fine impression printed with tone. The margins are full and the condition is excellent.
This is a view of Comanche Canyon, looking towards the Pedernal, which is in northern New Mexico. $2,000 |
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Grand Central Staion OTTO KUHLER American, (1894-1977) Etching, 1927, Kennedy Galleries 26, edition 50. 14 3/8 x 9 in. Signed and titled in pencil. this is a superb, richly inked impression of this uncommon print. The margins are full and the condition is fine.
On the left side are the flags of the former Hotel Belmont which was a destination hotel for foreign ambassadors and other dignitaries. $1,750 |
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Fast Mail OTTO KUHLER American, (1894-1977) Etching, 1923, edition 30. 6 x 8 in. Signed in pencil and also inscribed "ed. 30" This is a fine impression with full margins. The condition is excellent. Born in Germany, Kuhler came to the United States in 1922. He was a skilled draughtsman, railroad designer and etcher and it was Joseph Pennell who encouraged him to take up printmaking. SOLD |
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Saratoga Springs Victorian LAWRENCE KUPFERMAN American, (1909-1982) Drypoint, probably 1940, AAA catalogue 899, edition 250. 13 7/8 x 9 5/8 in. Signed in pencil. This is a superb impression printed on a sturdy wove paper. The margins are full and the condition is excellent. This print was published by Associated American Artists in 1947. This is a stellar example of the drypoint medium. The artist did at least one other print in
the architecturally rich Saratoga Springs, NY area. $750 |
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Three Kids and a Horse PAUL LANDACRE American, (1893-1963) Wood engraving, 1943, Wien 246, Zeitlin & Ver Brugge 93; edition 100. 7 1/2 x 10 in. Signed, titled and numbered in pencil. This is a superb impression with full margins. The condition is fine. Here we have a nice example of his work in the wood engraving medium. SOLD |
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Children's Carnival PAUL LANDACRE American, (1893-1963) Wood engraving, 1946, Wien 275, edition 265. 8 1/2 x 12 in. Signed and titled in pencil. This is a fine impression printed on thin japan paper. The margins are full and the condition is excellent. Impressions of this very appealing print are in the National Gallery in Washington, DC as well at the Smithsonian American Art Museum. SOLD |
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Stairhall ARMIN LANDECK American, (1905-1984) Drypoint and engraving, 1950, Kraeft 104, edition 100. 12 x 14 3/8 in. Signed in pencil. This is a fine impression with full margins. The condition is also fine apart from a very faint suggestion of toning within an earlier mat opening. The scene is the old Delmonico Hotel on East 14th Street in New York. Landeck had a studio there for many years. Provenance: M. Knoedler (with their label). $2,200 |
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Narrow Street ARMIN LANDECK American, (1905-1984) Drypoint and engraving, 1949, Kraeft 102, edition 100. 16 x 9 7/8 in. Signed, dated and numbered in pencil. Here we have a fine impression in excellent condition. The margins are full. $650 |
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Studio Interior, No. 1 ARMIN LANDECK American, (1905-1984) Drypoint, 1935, Kraeft 57, edition 100. 8 x 10 5/8 in. Signed in pencil, lower right. This is a superb impression with full margins. The condition is fine. In this classic study of a printmaking studio, Landeck here depicts his first atelier in Cornwall, CT. Shown on the wall in the upper right corner is his rare lithograph, View of New York, from 1932. $1,800 |
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Approaching Storm ARMIN LANDECK American, (1905-1984) Drypoint, 1937, Kraeft 65, edition 100. 9 1/4 x 8 1/4 in. Signed in pencil. This is a superb early impression printed on off white wove paper. The margins are full. The condition is fine apart from two old hinges on the verso, top corners. Provenance: M. Knoedler, New York.
SOLD |
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Housetops, 14th Street ARMIN LANDECK American, (1905-1984) Drypoint and sandpaper ground, 1937, Kraeft 66, edition 100. 8 1/4 x 11 1/8 in. Signed in pencil. This is a superb, early impression printed on a light cream wove paper.
The margins are full and the condition is fine. (Two old hinges at the top corners, verso.) This lovely, Hopperesque image was purchased at M. Knoedler & Co. in New York during the 1970s. SOLD |
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Demolition No. 1 ARMIN LANDECK American, (1905-1984) Drypoint, 1940, Kraeft 80, edition 100. 6 x 9 in. Signed, dated and numbered in pencil. This is a fine impression with full margins. The condition is excellent. Provenance: M. Knoedler & Co., New York. $1,400 |
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Restaurant ARMIN LANDECK American, (1905-1984) Engraving, 1951, Kraeft 109, edition 100. 12 x 15 7/8 in. Signed in pencil. Here we have a very fine impression with full margins. The paper is a sturdy white wove and the condition is excellent. SOLD |
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Pop's Tavern ARMIN LANDECK American, (1905-1984) Drypoint and aquatint, 1934, Kraeft 45, edition 50 (100?) 6 1/8 x 10 in. Signed, dated and numbered "ed 100" in pencil. Here we have a fine impression of this great, early print. The margins are wide and the condition is excellent. According to the author, " On Christopher Street in New York, right across from the Hudson Theatre where "Cat's Paw" was showing."
Note: This impression is numbered "ed 100" whereas the catalogue states "edition 50." $6,000 |
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East River Drive ARMIN LANDECK American, (1905-1984) Drypoint, 1941, Kraeft 82, edition 100. 9 3/4 x 12 7/8 in. Signed, dated and numbered in pencil. This is a superb impression with full margins. The condition is excellent. According to Landeck, "Done when they were building the F.D.R. Drive on the East Side of New York." $2,200 |
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12th Street Walls (first state) ARMIN LANDECK American, (1905-1984) Drypoint, 1944, Kraeft 93, edition 100. 8 1/4 x 11 5/8 in. Signed in pencil and inscribed "imp". Here we have a fine impression with full margins. The condition is very good apart from a faint mat line from an earlier mount. This is a scene near Union Square. The second state was done in 1978 with engraving added (see Kraeft 128). $1,400 |
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Rooftop ARMIN LANDECK American, (1905-1984) Engraving, 1941, Kraeft 84, edition 100. 5 x 9 in. Signed in pencil. This is a fine, crisp impression printed on sturdy white wove paper. The margins are full and the condition is fine. Lewis describes this view as "across the street from my studio window."
At the far right is the Empire State Building. $1,800 |
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Hall of Fame EDWARD LANDON American, (1911-1984) Screenprint, 1951, Ryan 94, edition 25. 9 1/2 x 11 1/4 in. Signed, dated, titled and numbered in pencil. This is a fine impression with full margins.
The condition is excellent. Landon worked for the Springfield, MA Public Works of Art Project (PWAP). He also studied at the Art Students League and while in NY, he was introduced to the silkscreen medium and never looked back. He moved there in 1941 and worked with Harry Gottlieb, Elizabeth Olds, Harry Shokler and others. "Hall of Fame" was inspired by a trip to Sweden and Norway and the stylized iconography relates to early Celtic petroglyphs. $800 |
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Visit to Aunt Ida EDWARD LANDON American, (1911-1984) Screenprint, 1946, Ryan 222, edition 30. 9 1/4 x 12 3/8 in. Signed in pencil. Here we have a fine impression with full margins. The condition is excellent. Landon was very active with the National Serigraph Society and later served as the Society's president. Landon was always intrigued by surrealism and this print is both humorous and intriguing. The maze traps the hapless visitor in a world dominated by gaudy Victorian wallpaper. $700 |
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Vegetable Market DOROTHEA LAU American, (b. 1916) Lithograph printed in colors, circa 1936-38, edition 25. 10 1/8 x 12 7/8 in. Signed, titled and numbered in pencil. This is a fine impression of this rare work. The condition is fine and the margins are full. (There are a few minor handling marks in the margins, i.e. fingerprints and soft wrinkles.) Lau was born in Wisconsin and studied at the Minneapolis School of Art. She participated in the Minnesota WPA Art Project and this print bears that stamp.
Impressions are located in the Minneapolis Institute of Art, the National Gallery of Art and the Amon Carter Museum of American Art. $1,500 |
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