Starry Night
ROCKWELL KENT
American, (1881-1940)
Wood engraving, 1933, Burne Jones/Rightmire 103, edition 1,750. 7 x 5 in. Signed in pencil. This is a fine impression printed on a cream wove paper. The margins are full. The condition is fine apart from two old hinges, verso, which are visible from the front. This print was used as a prescription premium by the Literary Guild of America book club.
$1,650

Girl on Cliff
ROCKWELL KENT
American, (1881-1940)
Wood engraving, 1930, Burne Jones / Rightmire 57; edition 1,750. 6 1/2 x 4 3/4 in. Signed in pencil. This is a fine impression with full margins. The condition is also fine. This very appealing work was published by the Literary Guild of America and given to new subscribers to the Book Club. Kent received fifty impressions for his efforts. In spite of the large edition this print is not all that common.
$1,750

Visitor
FLORENCE KENT
American, (1917-1989)
Woodcut printed in colors, circa 1940, edition unknown. 11 x 8 in. Signed and titled in pencil. This is a fine impression with full margins. Occasional soiling and a few fox marks primarily in the upper margin. This WPA print is in the collection of the Metropolitan Museum of Art. It was gifted to them by the New York WPA Administration in 1943. Kent was a native New Yorker raised in the Bronx. She studied at Cooper Union and the New School for Social Research.
$1,250

Drifter
ROCKWELL KENT
American, (1881-1940)
Wood engraving, 1933, Burne Jones / Rightmire 92, edition 250. 5 1/2 x 6 7/8 in. Signed in pencil. This is a fine impression printed on thin cream wove paper. The margins are full and the condition is fine. (There's just a very faint suggestion of toning within an old mat opening.) The cancelled block is in the Detroit Institute of Arts.
$4,500

Desert Drama
GENE KLOSS
American, (1903-1996)
Aquatint and drypoint, 1977, Sanchez 575, edition 35. 11 x 17 7/8 in. Signed, titled and numbered in pencil. Here we have a superb impression with full margins. The condition is excellent. This stellar work depicts a view across Taos Valley, south of Rancho de Taos.
SOLD

Far Across the Rio Grande
GENE KLOSS
American, (1903-1996)
Etching, 1939, Sanchez 361, edition 75. 10 x 14 in. Signed and titled in pencil. This impression is also inscribed by the artist, "artist's proof." This is a fine impression printed with tone. The margins are full and the condition is excellent. This is a view of Comanche Canyon, looking towards the Pedernal, which is in northern New Mexico.
$2,000

Processional - Taos
GENE KLOSS
American, (1903-1996)
Drypoint, 1948, Sanchez 431, edition 250. 9 7/8 x 13 7/8 in. Signed and titled in pencil. This is a superb impression with full margins. The condition is fine. This dynamic work was made for the Society of Print Connoisseurs in Hicksville, NY. The print is also known as Christmas Processional at Taos.
$3,500

Clouds at Sunset
GENE KLOSS
American, (1903-1996)
Drypoint and aquatint, 1953, Sanchez 449, edition 250. 9 x 13 7/8 in. Signed in pencil. Here we have a superb impression with full margins. The condition is fine apart from traces of the original hinges showing at the top corners, recto. This was a presentation print for the Print Club of Albany. Impressions are cited in the following museums: The National Gallery of Art, The Smithsonian American Art Museum, The Fine Arts Museum of San Francisco and the Worcester Art Museum, and others.
$2,250

Summer Evening in New Mexico
GENE KLOSS
American, (1903-1996)
Aquatint and drypoint, 1941, Sanchez 370, edition 75. 8 7/8 x 12 in. Signed and titled in pencil. This is a fine, dramatic impression with full margins. The condition is fine. (There's a little bit of time toning on the outer right edge of the sheet.)
$3,500

Grand Central Staion
OTTO KUHLER
American, (1894-1977)
Etching, 1927, Kennedy Galleries 26, edition 50. 14 3/8 x 9 in. Signed and titled in pencil. this is a superb, richly inked impression of this uncommon print. The margins are full and the condition is fine. On the left side are the flags of the former Hotel Belmont which was a destination hotel for foreign ambassadors and other dignitaries.
$1,750

Fast Mail
OTTO KUHLER
American, (1894-1977)
Etching, 1923, edition 30. 6 x 8 in. Signed in pencil and also inscribed "ed. 30" This is a fine impression with full margins. The condition is excellent. Born in Germany, Kuhler came to the United States in 1922. He was a skilled draughtsman, railroad designer and etcher and it was Joseph Pennell who encouraged him to take up printmaking.
SOLD

Saratoga Springs Victorian
LAWRENCE KUPFERMAN
American, (1909-1982)
Drypoint, probably 1940, AAA catalogue 899, edition 250. 13 7/8 x 9 5/8 in. Signed in pencil. This is a superb impression printed on a sturdy wove paper. The margins are full and the condition is excellent. This print was published by Associated American Artists in 1947. This is a stellar example of the drypoint medium. The artist did at least one other print in the architecturally rich Saratoga Springs, NY area.
$750

Miners
CHET LA MORE
American, (1908-1980)
Woodcut printed in colors, circa 1940, edition probably about 25. 11 7/8 x 15 7/8 in. Signed and titled in pencil. This is a fine, rich impression with full margins. The condition is also fine. This print was published as part of the WPA program dating from 1935-43 and an impression is found in the Metropolitan Museum of Art. La More was from Wisconsin and later taught at the University of Buffalo. He taught at the University of Michigan until his retirement in 1974. This compelling woodcut is one of his best and largest works.
$2,200

Three Kids and a Horse
PAUL LANDACRE
American, (1893-1963)
Wood engraving, 1943, Wien 246, Zeitlin & Ver Brugge 93; edition 100. 7 1/2 x 10 in. Signed, titled and numbered in pencil. This is a superb impression with full margins. The condition is fine. Here we have a nice example of his work in the wood engraving medium.
SOLD

Children's Carnival
PAUL LANDACRE
American, (1893-1963)
Wood engraving, 1946, Wien 275, edition 265. 8 1/2 x 12 in. Signed and titled in pencil. This is a fine impression printed on thin japan paper. The margins are full and the condition is excellent. Impressions of this very appealing print are in the National Gallery in Washington, DC as well at the Smithsonian American Art Museum.
SOLD

Anna
PAUL LANDACRE
American, (1893-1963)
Wood engraving, 1937, Wien 201, Zeitlen & Ver Brugge 84; edition 60. 9 x 4 1/2 in. Signed, titled and numbered in pencil. Here we have a superb impression printed on thin Japanese paper. The margins appear to be full and the condition is excellent. This print was selected for exhibition at the Venice Biennale, 1938.
$2,850

Stairhall
ARMIN LANDECK
American, (1905-1984)
Drypoint and engraving, 1950, Kraeft 104, edition 100. 12 x 14 3/8 in. Signed in pencil. This is a fine impression with full margins. The condition is also fine apart from a very faint suggestion of toning within an earlier mat opening. The scene is the old Delmonico Hotel on East 14th Street in New York. Landeck had a studio there for many years. Provenance: M. Knoedler (with their label).
$2,200

Narrow Street
ARMIN LANDECK
American, (1905-1984)
Drypoint and engraving, 1949, Kraeft 102, edition 100. 16 x 9 7/8 in. Signed, dated and numbered in pencil. Here we have a fine impression in excellent condition. The margins are full.
$650

Studio Interior, No. 1
ARMIN LANDECK
American, (1905-1984)
Drypoint, 1935, Kraeft 57, edition 100. 8 x 10 5/8 in. Signed in pencil, lower right. This is a superb impression with full margins. The condition is fine. In this classic study of a printmaking studio, Landeck here depicts his first atelier in Cornwall, CT. Shown on the wall in the upper right corner is his rare lithograph, View of New York, from 1932.
$1,800

Approaching Storm
ARMIN LANDECK
American, (1905-1984)
Drypoint, 1937, Kraeft 65, edition 100. 9 1/4 x 8 1/4 in. Signed in pencil. This is a superb early impression printed on off white wove paper. The margins are full. The condition is fine apart from two old hinges on the verso, top corners. Provenance: M. Knoedler, New York.
SOLD