Case of the People
Etching, 1953, edition unknown (perhaps 100?). 12 7/8 x 17 in. Signed and titled in pencil. This is a fine impression with wide margins. The condition is generally very good. There's a very faint trace of discoloration within a previous mat opening and a tiny speck of something just below the image at bottom.
SOLD

Eyes of the City
Etching, 1953, edition unknown. 13 x 16 3/4 in. Signed and titled in pencil. This is a fine impression in fine condition with wide margins. Weidenaar was very skilled in the etching medium as this large work attests. The location is Grand Rapids, Michigan.
SOLD

It Was a Terrible Day
Etching, 1949, edition unknown. 13 x 16 7/8 in. Signed and titled in pencil. This is a fine impression in very good condition. The margins are wide. (There's a bit of tape residue along the right margin, well away from the image.)
SOLD

Leviathan of the Lakes
Etching, 1954, edition 40. 13 x 16 7/8 in. Signed and titled in pencil. This fine impression has wide margins. The condition is good. (There is slight light discoloration overall and residue of old tape along parts of the edges of the sheet, verso.
SOLD

Locomotive Shops
Etching and aquatint, 1947, Buckner 101, edition 75 plus nine trial proofs. 12 7/8 x 16 3/4 in. Initialed and dated in the plate, lower left. Signed, numbered and titled in pencil. This is a superb, luminous impression printed in rich black ink. The margins are full and the condition is very good apart from slight light discoloration within an earlier mat opening. This masterpiece of etching took the artist about six months to complete and he spent a week making sketches at the locomotive shop which inspired the print. The time he spent making the plate is dated in the upper left corner of the image. This uncommon print is illustrated on the cover of the catalogue raisonné.
SOLD

Repose
Mezzotint, 1951, Edition 250 10 3/4 x 12 3/4 in. Signed and titled in pencil. A fine impression in very good condition with only the faintest sign of darkening within a previous mat open. Full margins.
SOLD

Repose
Mezzotint, 1951, edition 250. 10 3/4 x12 3/4 in. Signed and titled in pencil. This is a fine impression with full margins. The condition is excellent. The largest collection of his prints is located at the Grand Rapids Public Museum, MI.
SOLD

Reverie
Mezzotint, 1950, edition 250. 13 x 10 3/4 in. Signed and titled in pencil. A superb impression in fine condition with full margins. As published by Associated American Artists.
SOLD

Reverie
Mezzotint, 1950, edition 250. 13x 10 3/4 in. Signed and titled in pencil. This is a fine impression with full margins. The condition is excellent. The largest collection of his prints is located in the Grand Rapids Public Museum, MI.
SOLD

The Bridge and the Storm, Mackinaw Straits
Mezzotint, 1957, Buckner p.119, no. 159; edition 100. 16 7/8 x 12 7/8 in. Signed in the plate, lower right. Signed and titled in pencil. This is a superb impression with full margins. The condition is fine apart from exceedingly faint toning within an early mat opening. This engineering marvel is the fourth longest suspension bridge in the world. It connects the upper and lower peninsulas of the state of Michigan. This the artist's finest print and a tour de force of mezzotint. Impressions are located in the National Gallery, the Crystal Bridges Museum of American Art, among many others. (A retrospective was held at the Grand Rapids Art Museum in 2015.)
SOLD