Tod Lindenmuth prints for sale

American, 1885-1976

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Along Side -  LINDENMUTH

Along Side
Linoleum cut printed in colors, undated (circa 1920), small edition. 9 x 7 in. Signed and titled n pencil. This is a fine, rich impression with full margins. The paper is a thick, fibrous wove sheet and the condition is fine. (There's a subtle suggestion of foxing in the upper right margin, outside if the image.) Lindenmuth was included in Janet Flint's landmark exhibition, Provincetown Printers; A Woodcut Tradition (1983). He is also represented in A Spectrum of Innovation; Color in American Printmaking 1890-1960, by David Acton (1990).
SOLD

Cathedral Spires -  LINDENMUTH

Cathedral Spires
Linoleum cut, undated (circa 1920-25?), edition unknown. 12 3/4 x 10 1/2 in. Signed and titled in pencil. This is a stellar impression of this extremely rare and stunning print. The margins are full and the condition is fine. Lindenmuth was one of the original members of the Provincetown printers group and he specialized in scenes of boats and fishermen in the Cape Cod area. He was employed by the WPA during the 1930s. Cathedral Spires are located in Custer State Park in the Black Hills of South Dakota. Birger Sandzen produced a very similar block print of this subject in 1922.
$1,000

Low Tide at the Weir -  LINDENMUTH

Low Tide at the Weir
Linoleum cut printed in colors, undated (circa 1920), small edition. 14 1/8 x 11 1/4 in. Signed and titled in pencil. This is a fine impression of this large work. The margins are full and there's a deckle on all sides. The paper is a fibrous, fairly heavy, Japanese paper which is what Lindenmuth liked to print on. The condition is very good apart from a minute speck or two of foxing in the left margin near the image. Lindenmuth was included in Janet Flint's landmark exhibition, Provincetown Printers; A Woodcut Tradition (1983). He is also represented in A Spectrum of Innovation; Color in American Printmaking 1890-1960, by David Acton (1990).
SOLD

Morning at the Weir (Provincetown) -  LINDENMUTH

Morning at the Weir (Provincetown)
Linoleum cut printed in colors, undated (probably about 1915-20), small edition. 14 1/8 x 11 in. Signed and titled in pencil. This is a superb impression printed on a fibrous, medium weight Japanese paper. The margins are full and the condition is fine. Lindenmuth was included in Janet Flint's landmark exhibition, Provincetown Printers, A Woodcut Tradition (1983). He's also included in David Acton's 1990 catalogue, A Spectrum of Innovation; Color in American Printmaking 1890-1960.
SOLD

The Home Port -  LINDENMUTH

The Home Port
Linoleum cut printed in colors, circa 1920, small edition. 8 x 6 in. Signed and titled in pencil. Here we have a very good impression printed on a fibrous, white wove paper. The condition is good and there are subtle spots of foxing showing in the full margins but they do not affect the image. Lindenmuth was included in Janet Flint's landmark exhibition, Provincetown Printers, A Woodcut Tradition (1983). He's also included in David Acton's 1990 catalogue, A Spectrum of Innovation; Color in American Printmaking 1890-1960.
SOLD


Also available from Lindenmuth: Lindenmuth linoleums for sale, Lindenmuth prints for sale

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William P. Carl Fine Prints

P.O. Box 14688, Durham, NC 27709
TEL: (919) 294-8228 - CELL: (413) 221-2383
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