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In the Fifties (Whirlpool) -  MCNULTY

In the Fifties (Whirlpool)
WILLIAM MCNULTY
American, (1889-1963)
Etching and drypoint, circa 1930-40, edition probably 100. 13 5/8 x 7 1/8 in. Signed in pencil. This is a fine, rich impression printed on white wove paper. The margins are full. The condition is excellent other than for a modest smudge of printer's ink in the lower left margin, well away from the image. McNulty studied at the Art Student's League and also taught there until 1958. He was encouraged to take up printmaking by Joseph Pennell.
$1,500

Brooklyn Bridge at Night -  PENNELL

Brooklyn Bridge at Night
JOSEPH PENNELL
American, (1857-1926)
Aquatint, 1922, Wuerth 790, edition probably 60. 7 3/8 x 8 5/8 in. Signed in pencil. This is a superb impression of this uncommon print. The margins appear to be full and the condition is excellent. This stellar work was done in pure aquatint without any etched lines. He produced a few aquatints of New York and London and he referred to these tonal works as "printed paintings." The artist was living in Brooklyn at the time.
SOLD

Skulls and Old Books (Schedels and Old Books) -  PIECK

Skulls and Old Books (Schedels and Old Books)
ANTON F. PIECK
Dutch, (1895-1987)
Etching, 1919, Hallema 95, edition unknown. 11 3/4 x 18 7/8 in. Signed and dated in the plate, lower left. Signed in pencil and inscribed "eigen druk" (hand printed by the artist). This is a superb impression of this large work. The margins are full and the condition is fine. This exquisitely detailed etching, a "memento mori", is composed in the tradition of the 17th century Dutch still life painters. Pieck was one of the most famous illustrators of children's books in Holland at the time and there's a museum of his work in Hattem.
$1,600

Landscape 2018-I -  POSTMA

Landscape 2018-I
GRIETJE POSTMA
Dutch, (b. 1961)
Woodcut printed in colors, 2018, edition 25. 7 5/8 x 23 3/4 in. Signed, dated, numbered and titled in pencil. This is a superb impression of this outstanding print. The margins are full and the condition is excellent. The paper is a VAN GELDER ZONEN white wove with the blindstamp. This is the artist's preferred choice for printmaking papers.
$850

Landscape 2017-IV -  POSTMA

Landscape 2017-IV
GRIETJE POSTMA
Dutch, (b. 1961)
Woodcut printed in colors, 2017, edition 50. 9 1/2 x 14 in. Signed, dated, titled and numbered in pencil. This is a fine impression with full margins. The condition is excellent. This beautiful landscape displays a vibrant use of colors so typical of the artist's Dutch woodland scenes.
$700

Landscape 2018-II -  POSTMA

Landscape 2018-II
GRIETJE POSTMA
Dutch, (b. 1961)
Woodcut printed in colors, 2018, edition 22. 15 7/8 x 23 1/2 in. Signed, dated, titled and numbered in pencil. This is a fine impression in fine condition. The margins are full. This superb winter scene is subtle and beautifully conveys the solitude of winter in the Dutch countryside.
$900

Landscape 2018-III -  POSTMA

Landscape 2018-III
GRIETJE POSTMA
Dutch, (b. 1961)
Woodcut printed in colors, 2018, edition 18. 15 3/4 x 15 3/4 in. Signed, dated, titled and numbered in pencil. This is a fine, luminous impression with full margins. The condition is excellent. This stellar print has an almost abstract quality to it with the intertwining tree branches and the modernist looking, large tree near the center of the composition.
$875

Columbines -  ROYDS

Columbines
MABEL ROYDS
British, (1874-1941)
Woodcut printed in colors, 1930s, Barton 39, edition perhaps 25-50. 7 3/8 x 6 1/4 in. Signed in pencil. This is a superb impression with rich relief showing from the pressure of the blocks. This is the full sheet although the left margin is narrow. There's some printing ink in the margins which is so very typical of her work. Provenance: The Old Print Shop, NY.
$1,750

The Mill (Le Moulin) -  SCHELFHOUT

The Mill (Le Moulin)
LODEWIJK SCHELFHOUT
Dutch, (1881-1943)
Drypoint, 1917, Zandvoort 60 (i/II); edition 16. 6 3/8 x 4 5/8 in. Signed and dated in pencil. Inscribed on the right in pencil, "1st" (first state). This is a superb impression of this rare print. The margins are full and the condition is excellent. Schelfhout's work is illustrated and discussed in Cliff Ackley's 2014 book, Holland on Paper in the Age of Art Nouveau, Pages 212-213. He was one of the very few Dutch cubist artists.
$800

Coney Island -  SHOKLER

Coney Island
HARRY SHOKLER
American, (1896-1978)
Screenprint, 1942, edition probably 100. 12 1/2 x 16 in. Signed in ink in the lower left corner of the image. This is a superb impression with fresh colors. The margins are full. The condition is very good apart from minor handling marks showing here and there in the margins only. This memorable work is illustrated and discussed in The American Scene; Prints from Hopper to Pollack (2008) by Stephen Coppel, see pages 174-75.
SOLD

Evening, The Pier at Flessingue (Le Soir, La Jetée de Flessingue) -  SIGNAC

Evening, The Pier at Flessingue (Le Soir, La Jetée de Flessingue)
PAUL SIGNAC
French, (1863-1935)
Lithograph printed in colors, 1898, Kornfeld / Wick 20.IID, from the large edition for PAN. 8 x 10 1/4 in. Unsigned as usual. This is a fine, fresh impression on chine volant with wide margins. The text is printed in the lower left. The condition is fine other than for an inherent paper imperfection, a dark fiber, in the bottom center just affecting the image. The PAN edition was printed by Auguste Clot and published in Berlin by Otto Bierbaum and Julius Meier-Graefe. Signac, along with Georges Seurat and Henri-Edmond Cross, defined the French pointillist movement during the late 19th century.
SOLD

Ghetto -  TURZAK

Ghetto
CHARLES TURZAK
American, (1899-1986)
Woodcut, 1931, edition 50. 12 x 9 3/16 in. Signed, numbered and titled in pencil. This is a fine impression printed on a light cream laid paper. The margins are full. The condition is fine apart from a little spot of adhesive in the upper right corner of the margin.
$2,400

New Year (Nieuwjaar) -  VAN HOYTEMA

New Year (Nieuwjaar)
THEO VAN HOYTEMA
Dutch, (1863-1917)
Lithograph, 1894, Rijksmuseum / deGroot 49 (ii/II), edition 200. 16 1/4 x 9 7/8 in. Initialed and dated in the stone, lower right. Signed and numbered in pencil. This is a superb impression printed on a cream wove paper. The margins are full. The condition is generally fine. Ex-collection: Simon Moulijn (Lugt 1849a) a fellow Dutch artist and superb lithographer. This print is the companion piece to Christmas from the same year. This important art nouveau image is illustrated and discussed in Cliff Ackley's, Holland on Paper in the Age of Art Nouveau (2014), pages 78-81.
$4,500

Two Egrets -  VAN HOYTEMA

Two Egrets
THEO VAN HOYTEMA
Dutch, (1863-1917)
Lithograph printed in colors, undated, apparently not listed in the Rijksmuseum/de Groot catalogue; edition unknown. 8 x 5 7/8 in. Initialed on the stone, lower left. Signed in pencil. This is a fine impression printed on chine appliqué. The margins are wide and probably full. The condition is good other than for a water stain in the lower margin, not affecting the image. This lovely print is extremely rare. It probably dates from about 1900-1910.
$950

Castle on a Mountain -  VELDHEER

Castle on a Mountain
JACOBUS G. VELDHEER
Dutch, (1866-1954)
Woodcut, circa 1900-1910, edition unknown. 15 5/8 x 19 5/8 in. Signed in pencil, lower right. Inscribed in pencil, "voor S. Moulijn." This is a very fine impression on a white wove paper. The margins are full and the condition is fine. (There's a subtle soft wrinkle in the lower right margin outside of the image.) Veldheer specialized in printmaking. He produced book designs, portraits, landscapes and some of his woodcuts were printed in colors. His work is illustrated and discussed in Holland on Paper in the Age of Art Nouveau (2014) by Cliff Ackley; see pages 208-209. He was influenced by Japanese printmaking and this topic is discussed in Japanese Invloed op Nederlandandse kunst, Imitatie et Inspiratie van 1650 tot heden (1991) published by the Rijksmuseum (Ch. van Rappard-Boon, et al.); pages 133-134. The dedication is to fellow Dutch artist, Simon Moulijn (1866-1948), a well-known lithographer.
$1,400

Album Cover for Paysages et Intérieurs -  VUILLARD

Album Cover for Paysages et Intérieurs
EDOUARD VUILLARD
French, (1868-1940)
Lithograph printed in colors, 1899, Roger-Marx 31, edition 100. 20 1/4 x 15 3/4 in. Signed on the stone. This is a fine impression printed on china paper. The colors are fresh and the condition is generally fine. (There are modest thin spots in the top margin corners,verso, from earlier hinges. Also, there's a tiny repaired tear in the upper right edge of the margin well away from the image.) This important series of twelve prints plus the cover was published by Vollard and printed under the direction of Auguste Clot.
$3,800

January -  WOOD

January
GRANT WOOD
American, (1891-1942)
Lithograph, 1938, Johnson 3, Cole 3; edition 250. 9 x 11 3/4 in. Signed in pencil. This is a superb impression with full margins. The condition is excellent. This memorable winter image was done in Iowa and there's at least one related drawing and oil painting. (The painting is located in the Cleveland Museum of Art.) This is one of six Grant Wood prints reproduced in Thomas Craven's 1939 book, A Treasury of American Prints.
$8,500

March -  WOOD

March
GRANT WOOD
American, (1891-1942)
Lithograph, 1941, Johnson 17, Cole 14, edition 250. 9 x 11 7/8 in. Signed in pencil. This is a superb impression in fine condition. The margins are somewhat trimmed measuring one inch on all sides. At least two preparatory drawings exist for this print and the edition was printed by George Miller and published by AAA in New York. The great design for this print gives it a strikingly modernist look. "March" expouses Wood's compositional practice of dynamic symmetry. (See Johnson, pg. 129-130)
$9,000

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William P. Carl Fine Prints

P.O. Box 14688, Durham, NC 27709
TEL: (919) 294-8228 - CELL: (413) 221-2383
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