American Prints

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A Midnight Dreary -  WATSON

A Midnight Dreary
ERNEST W. WATSON
American, (1884-1969)
Woodcut printed in colors, 1943, edition 200. 6 3/8 x 8 3/8 in. Signed and titled in pencil. Here we have a fine impression printed on thin Japan paper. The margins are full and the condition is fine. This work was published by the Woodcut Society of Kansas City and we are including the original folder in which it was presented. The artist maintained a summer home in Monterey, MA.
SOLD

Reverie -  WEIDENAAR

Reverie
REYNOLD WEIDENAAR
American, (1915-1985)
Mezzotint, 1950, edition 250. 13x 10 3/4 in. Signed and titled in pencil. This is a fine impression with full margins. The condition is excellent. The largest collection of his prints is located in the Grand Rapids Public Museum, MI.
$850

Repose -  WEIDENAAR

Repose
REYNOLD WEIDENAAR
American, (1915-1985)
Mezzotint, 1951, edition 250. 10 3/4 x12 3/4 in. Signed and titled in pencil. This is a fine impression with full margins. The condition is excellent. The largest collection of his prints is located at the Grand Rapids Public Museum, MI.
$850

Picnic -  WENGENROTH

Picnic
STOW WENGENROTH
American, (1906-1977)
Lithograph, 1938, Stuckey 81, edition 50. 12 1/8 x 15 5/8 in. Signed and numbered in pencil. This is a fine impression with full margins. The condition is fine apart from a modest handling wrinkle in the top margin away from the image and a tiny smudge on the right margin, upper right. This charming early work was done in Port Clyde, Maine.
$650

Memory -  WENGENROTH

Memory
STOW WENGENROTH
American, (1906-1977)
Lithograph, 1971, Stuckey 336, edition 60. 14 3/8 x 10 3/4 in. Signed and titled in pencil. This is a fine impression in fine condition with full margins. Here we have outstanding example of his work.
SOLD

Summer Dusk -  WENGENROTH

Summer Dusk
STOW WENGENROTH
American, (1906-1977)
Lithograph, 1932, Stuckey 27, edition 54. 7 1/4 x 12 3/4 in. Signed in pencil. This is a fine impression with full margins. Very good condition; faint toning within an earlier mat opening. THe subject here is Eastport, Maine.
SOLD

Deserted House -  WENGENROTH

Deserted House
STOW WENGENROTH
American, (1906-1977)
Lithograph, 1931, Stuckey 13, edition 54. 9 1/2 x 9 3/8 in. Signed in pencil, lower right. This is a superb impression of this early work. The margins are full and the condition is fine. This Hopperesque image was done in Eastport, Maine.
$750

Meeting House -  WENGENROTH

Meeting House
STOW WENGENROTH
American, (1906-1977)
Lithograph, 1940, Stuckey 105, edition 40. 9 1/4 x 16 3/4 in. Signed in pencil. This is a fine impression in fine condition. The margins are full. Depicted here is the Meeting House in Castine, ME which was built in 1790. This print is Wengenroth's first two stone lithograph. Besides the black stone, a very light grey tint stone was printed over the entire subject except for the whites.
SOLD

Snow Swept -  WEST

Snow Swept
LEVON WEST
American, (1900-1968)
Etching, 1929, edition 100. 9 1/2 x 12 3/4 in. Signed, titled and numbered in pencil. This is a fine impression with full margins. The condition is very good apart from faint light toning within an old mat opening. West specialized in exactly this kind of imagery; men on horseback facing the elements. In 1962 he was awarded the Theodore Roosevelt Rough Rider Award by the Governor of Montana.
$650

Annie -  WHISTLER

Annie
JAMES A. MCNEILL WHISTLER
American, (1834-1903)
Etching, 1857-58, Kennedy 10, (iv/V), edition unknown. 4 3/4 x 3 1/8 in. Signed in the plate. This is a fine, early impression of the penultimate state printed on gold-toned chine applique. The margins are wide. The condition is very good apart from a very faint suggestion of discoloration from a previous mat opening and tape reside in places, verso, not affecting the image in any way. Fourth state impressions are far more desirable than final state impressions.
$2,400

Seymour Standing Under a Tree -  WHISTLER

Seymour Standing Under a Tree
JAMES A. MCNEILL WHISTLER
American, (1834-1903)
Etching with drypoint, 1858-59, Glasgow 30 (ii/III), Kennedy 31, (ii/III); edition unknown. 5 1/4 x 3 7/8 in. Signed in the plate. This is a fine, early impression of the second state of three printed on thin cream wove paper. The margins are wide and probably full. The condition is also fine. This early print is described by Katharine Lochnan as, "Whistler's first landscape etching." (See: The Etchings of James McNeill Whistler, Yale University Press, 1984; page 69.) The online Glasgow catalogue cites only 29 known impressions from this plate.
SOLD

The Little Mast -  WHISTLER

The Little Mast
JAMES A. MCNEILL WHISTLER
American, (1834-1903)
Etching and drypoint, 1879-1880, Glasgow 196 (v/VIII); Kennedy 185 (iv/IV), edition 50. 10 1/2 x 7 1/4 in. Signed in the plate with the butterfly, upper right. Signed on the tab, lower left, with the pencil butterfly and "imp." This is a very fine impression printed in dark brown ink on cream-colored laid paper. There's a partial Strasbourg Lily watermark showing which appears to be # 301 in the Art Institute of Chicago catalogue of the lithographs. The condition is excellent apart from traces of two old paper hinges on the right side, verso, which are inconsequential. The printed surface is pristine. This outstanding Venice etching was published in the First Venice Set.
PRICE ON REQUEST

The Kitchen -  WHISTLER

The Kitchen
JAMES A. MCNEILL WHISTLER
American, (1834-1903)
Etching, 1858, Glasgow 16 (ii/III), Kenedy 24 (ii/III); 67 impressions are recorded in the Glasgow catalogue. 8 7/8 x 6 1/8 in. Signed in the plate in the lower right. This is a very fine impression printed with plate tone on chine appliqué. The margins are substantial measuring about 1 1/8" to 1 1/2" in. The condition is fine apart from a very faint suggestion of toning within an earlier mat opening and traces of an old adhesive, verso, along the top edge of the sheet. This outstanding early work by Whistler was published in the "French Set" in this state with the name and address of the printer in the lower right ("Imp. Delâtre. Rue St. Jacques. 171."). An impression of the first state has not been located by the Whistler Etchings Project. Thirty-nine impressions of this important etching are listed in museum collections and today it's considered to be an uncommon print.
$9,000

Title page for the French Set (Douze Eaux Fortes d'après Nature) -  WHISTLER

Title page for the French Set (Douze Eaux Fortes d'après Nature)
JAMES A. MCNEILL WHISTLER
American, (1834-1903)
Etching, 1858, Glasgow 22, Kennedy 25; (only state), edition unknown. 4 3/8 x 5 5/8 in. Signed, dated and titled in the plate. Dedicated to Seymour Haden with "a Mon Viel Ami." This is an especially fine impression printed on light cream laid paper with full margins. (The watermark, Britannia, is listed as #60 (lifetime impressions) in the Art Institute volume II on Whistler's lithographs.) The condition here is very fine. Glasgow cites 56 known impressions which makes this an uncommon print. The initials "RB" appear on the verso in ink which is not listed in Lugt.
$2,200

Little Evelyn -  WHISTLER

Little Evelyn
JAMES A. MCNEILL WHISTLER
American, (1834-1903)
Lithograph, 1896, Art Institute of Chicago 146, Levy 159; from the pencil signed edition of 21(?). 7 x 4 3/4 in. Signed on the stone with the butterfly monogram. Signed in pencil below the image, also with the butterfly. This is a superb, lifetime impression printed on a light cream Japanese paper. The margins appear to be full and untrimmed. The condition is very good. On the verso is the square Birnie Philip stamp (Lugt 405). This lovely and popular print was published in The Art Journal in an edition of about 3,000 impressions. There was also a posthumous edition by Goulding of 16 impressions printed in 1903. This is a portrait of the daughter of Whistler's longtime friend, David C. Thomson.
$5,000

Old Battersea Bridge -  WHISTLER

Old Battersea Bridge
JAMES A. MCNEILL WHISTLER
American, (1834-1903)
Lithograph, 1879 and 1887, Art Institute of Chicago 18 (ii/II), Levy 24,; edition 100. 5 7/8 x 13 in. Signed on the stone with the butterfly signature at left. This is a fine, nicely inked impression printed on greyish chine applique. The margins are wide and the condition is very good apart from faint toning at the extreme edges of the wove support sheet. This impression was published in a portfolio called "Art Notes," printed by Way and published by Boussod, Valadon and Co in 1887.
$4,000

Longshore Men -  WHISTLER

Longshore Men
JAMES A. MCNEILL WHISTLER
American, (1834-1903)
Etching, 1859, Glasgow 52 (iii/IV); Kennedy 45 (i/I), edition unknown. 6 x 8 7/8 in. Signed and dated in the plate, lower right. This is a fine, crisp impression printed without much plate tone. The paper is Japanese and the margins are probably full and untrimmed. Very good condition apart from a couple of ink smudges in the margin and two other tiny spots of discoloration. In this, the third state, the verticle lines through the hat of man in the back with the pipe have yet to be removed. This successful print was never part of a published set, i.e. the Thames Set, even though it fits nicely within that theme.
$2,500

Limehouse -  WHISTLER

Limehouse
JAMES A. MCNEILL WHISTLER
American, (1834-1903)
Etching and drypoint, 1859, Glasgow 48 (vi/VI), Kennedy 40 (iii/III), edition unknown. 5 x 8 in. Signed and dated in the plate, lower right. This is a fine, dark impression of the final state, before cancellation. The paper is a cream-colored fibrous, thin Japanese. The condition is very good apart from slight lightening of the paper within an earlier mat opening. This print was published as part of Whistler's celebrated Thames Set in 1871. The plate was cancelled around 1894-95.
$4,000

Fumette -  WHISTLER

Fumette
JAMES A. MCNEILL WHISTLER
American, (1834-1903)
Etching, 1858, Glasgow 12 (v/V), Kennedy 13 (iv/IV); edition unknown. 6 1/2 x 4 3/8 in. Signed in the plate lower right. This is a fine impression printed on off-white laid paper. The margins are wide and the condition is quite good other than for a very faint suggestion of toning from an early mat opening. "Fumette," ("Eloise"); a working girl, a young seamstress or milliner, described in the Glasgow catalogue as a "grisette." She was also known to be a woman of vivid and fiery character.
$1,650

Eagle Wharf -  WHISTLER

Eagle Wharf
JAMES A. MCNEILL WHISTLER
American, (1834-1903)
Etching, 1859, Glasgow 50 (i/I), Kennedy 41 (i/I); edition unknown. 5 7/16 x 8 3/8 in. Signed and dated in the plate. This is a superb, dark impression printed on light cream laid paper. The margins are wide and probably untrimmed. The condition is fine apart from a few tiny, incidental losses here and there at the sheet edges. This stellar print was published as part of the Thames Set. Eagle Wharf was in Wapping on the River Thames in London.
$5,500

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