European Prints

Pages: < back [ 1 - 2 - 3 - 4 - 5 - 6 - 7 - 8 - 9 - 10 - 11 - 12 ] next >

Winged Horse (Cheval Ailé) -  REDON

Winged Horse (Cheval Ailé)
ODILON REDON
French, (1840-1916)
Lithograph, 1894, Mellerio/Hyman 127, edition unknown. 6 1/4 x 4 11/16 in. Signed in pencil, lower right. This is a fine impression before letters printed on chine appliqué. The margins are wide. The condition is fine other than for slight foxing in the top margin and a small repaired tear at top. This charming print was published in La Revue Blanche and this is one of the early proofs printed on chine by Becquet, Paris.
SOLD

C'est Moi, Jean, Qui ai vu Qui ai Ouï ces Choses (And I Jean Saw These Things, and Heard Them) -  REDON

C'est Moi, Jean, Qui ai vu Qui ai Ouï ces Choses (And I Jean Saw These Things, and Heard Them)
ODILON REDON
French, (1840-1916)
Lithograph, 1899, Mellerio / Hyman 185; Johnson 104-12, edition 100. 10 1/2 x 7 1/2 in. Signed on the stone with the artist's monogram. This is a fine, luminous impression printed on chine appliqué. The margins are full. The condition is quite good apart from occasional subtle foxing in the margins and a small stain in the lower margin edge. This endearing work is plate XII from The Apocalypse de Saint-Jean (The Revelation of St. John the Divine). The set of twelve prints with frontispiece was published by Ambrose Vollard, Paris, and printed by Blanchard.
SOLD

And his Name that sat on Him was Death (Et Celui qui monté Dessus se nommait la Mort) -  REDON

And his Name that sat on Him was Death (Et Celui qui monté Dessus se nommait la Mort)
ODILON REDON
French, (1840-1916)
Lithograph, 1899, Mellerio 176, edition 100. 12 3/8 x 8 7/8 in. Signed on the stone, lower right, with the artist's monogram. Here we have a superb, rich impression. The paper is a chine appliqué and the margins are full. The condition is very good apart from a soft ripple in the sheet, a spot of foxing in the upper left corner just outside the image, and the extreme right edge of the sheet is toned. This is plate III from the series, Apocalypse de Saint-Jean. The printed titled is just below the image in the lower left.
SOLD

C'est Moi, Jean, Qui ai vu Qui ai Ouï ces Choses (And I, Jean, Saw These Things, and Heard Them) -  REDON

C'est Moi, Jean, Qui ai vu Qui ai Ouï ces Choses (And I, Jean, Saw These Things, and Heard Them)
ODILON REDON
French, (1840-1916)
Lithograph, 1899, Mellerio / Hyman 185; Johnson 104-12, edition 100. 10 1/2 x 7 1/2 in. This is a fine, fresh, luminous impression printed on chine appliqué. The margins are full. The condition is excellent. This endearing work is plate XII from The Apocalypse de Saint-Jean (The Revelation of St. John the Divine). The set of twelve prints with frontispiece was published by Ambrose Vollard, Paris, and printed by Blanchard. From the collection of Henri M. Petiet (Lugt 5031).
SOLD

Symbolic Figure, Facing Right -  REINBERGER

Symbolic Figure, Facing Right
GERTRAUD B. REINBERGER
Austrian, (1903-1970)
Woodcut, circa 1920, edition probably about 50. 12 x 7 7/8 in. Signed in pencil. A superb impression in very good condition. Minor foxing, verso, along bottom edge of sheet. Wide if not full margins.
$1,650

Salome -  REINBERGER

Salome
GERTRAUD B. REINBERGER
Austrian, (1903-1970)
Woodcut, 1920-25, edition fifty or fewer. 15 5/8 x 7 7/8 in. Signed in pencil. A fine impression on Japanese paper. Fine condition. Full margins. Reinberger's extraordinary woodcuts developed in part from her family's friendship with Josef Hoffmann. Her work is well-represented at the Albertina.
$1,800

Symbolic Figures -  REINBERGER

Symbolic Figures
GERTRAUD B. REINBERGER
Austrian, (1903-1970)
Woodcut, 1919, edition unknow but certainly small. 7 7/8 x 15 5/8 in. Signed and dated in pencil. A fine impression on off-white Japanese paper. Full margins. This print is exemplary of the unique art and design produced in Vienna in the early part of the 20th century. Reinberger's woodcuts are in the Albertina and other European and American museum collections.
SOLD

De la Rue Rochechouart -  RIVIERE

De la Rue Rochechouart
HENRI RIVIERE
French, (1864-1951)
Lithograph printed in colors, 1888-1902, Fields, pg. 77, edition 500. 8 3/8 x 6 5/8 in. Signed on the stone with the artist's monogram. This is a fine impression in fine condition with full margins. This is plate 15 from Les Trentes-six Vues de la Tour Eiffel, printed by Verneau. The florets, stamps and marks were designed by George Auriol.
SOLD

Du Quai de Passy (From the Quai de Passy, on a Rainy Day) -  RIVIERE

Du Quai de Passy (From the Quai de Passy, on a Rainy Day)
HENRI RIVIERE
French, (1864-1951)
Lithograph printed in colors, 1888-1902, Fields, pp. 77-78, edition 500. 6 3/4 x 8 3/8 in. Signed on the stone with the artist's red monogram. This is a fine impression in fine condition. The margins are full. This is plate 16 from the celebrated series Les Trentes-Six Vues de la Tour Eiffel. Certainly, the influence of Hokusai and his Thirty-Six Views of Mount Fuji cannot be understated.
SOLD

Des Jardins Maraichers de Grenelle (From the Vegetable Gardens at Grenelle) -  RIVIERE

Des Jardins Maraichers de Grenelle (From the Vegetable Gardens at Grenelle)
HENRI RIVIERE
French, (1864-1951)
Lithograph printed in colors, 1888-1902, Fields, pg. 77, edition 500. 6 3/4 x 8 1/4 in. Signed on the stone with the red monogram. This is a fine impression in fine condition. The margins are full. This is plate 6 from Riviere's series, Les Trentes-six Vues de la Tour Eiffel. The set was printed by Eugene Verneau, Paris.
SOLD

Du Quai de Passy -  RIVIERE

Du Quai de Passy
HENRI RIVIERE
French, (1864-1951)
Lithograph printed in colors, 1888-1902, Fields, pg 77, edition 500. 6 3/4 x 8 3/8 in. Signed on the stone with the artist's red monogram. This is a fine impression in fine condition. The margins are full. This is plate 13 from Riviere's Thirty-six views of the Eiffel Tower which he worked on between 1888-1902. The set was modeled after Hokusai's Thirty-Six Views of Mt. Fuji.
SOLD

Frontispiece -  RIVIERE

Frontispiece
HENRI RIVIERE
French, (1864-1951)
Lithograph printed in colors, 1888-1902, Fields, pp. 77-78, edition 500. 6 5/8 x 8 3/8 in. Signed on the stone with the monogram. This is a fine impression in fine condition. The margins are full. This is plate 1 from Les Trentes-Six Vues de la Tour Eiffel, as printed by Eugene Verneau. This remarkable series is considered by many to be Riviere's best work in lithography.
SOLD

En Haut de la Tour (At the Top of the Tower) -  RIVIERE

En Haut de la Tour (At the Top of the Tower)
HENRI RIVIERE
French, (1864-1951)
Lithograph, 1888-1902, Fields, pp. 77-78, edition 500. 6 3/8 x 8 3/8 in. Signed on the stone with the monogram. This is a fine impression in fine condition. The margins are full. This is plate 4 from Les Trentes-Six Vues de la Tour Eiffel, as printed by Eugene Verneau.
$900

Rue Beethoven -  RIVIERE

Rue Beethoven
HENRI RIVIERE
French, (1864-1951)
Lithograph printed in colors, 1888-1902, Fields, pp. 77-78, edition 500. 8 3/8 x 6 5/8 in. Signed on the stone with the artist's monogram. This is a fine impression in fine condition with full margins. This is plate 5 from Les Trentes-six Vues de la Tour Eiffel, printed by Verneau. The florets, stamps and marks were designed by George Auriol.
SOLD

Du Pont des Saints Pères (From the Pont des Saints-Pères) -  RIVIERE

Du Pont des Saints Pères (From the Pont des Saints-Pères)
HENRI RIVIERE
French, (1864-1951)
Lithograph printed in colors, 1888-1902, Fields, pp. 77-78, edition 500. 8 3/8 x 6 3/4 in. Signed on the stone with the monogram. This is a fine impression in fine condition. The margins are full. This is plate 7 from Riviere's famous set of the Thirty-six views of the Eiffel Tower. The set was printed by Eugene Verneau.
SOLD

Du Boulavard de Clichy (From the Boulevard de Clichy) -  RIVIERE

Du Boulavard de Clichy (From the Boulevard de Clichy)
HENRI RIVIERE
French, (1864-1951)
Lithograph printed in colors, 1888-1902, Fields, pp. 77-78, edition 500. 6 3/4 X 8 3/8 IN. Signed on the stone with the red monogram. This is a fine impression in fine condition. The margins are full. This is plate 10 from Riviere's series, Les Trentes-six Vues de la Tour Eiffel. The set was printed by Eugene Verneau, Paris.
SOLD

Fête sur la Seine, le 14 Juillet (Festivities on the Seine, July 14) -  RIVIERE

Fête sur la Seine, le 14 Juillet (Festivities on the Seine, July 14)
HENRI RIVIERE
French, (1864-1951)
Lithograph printed in colors, 1888-1902, Fields, pp. 77-78, edition 500. 8 1/4 x 6 5/8 in. Signed on the stone with the monogram. This is a fine impression with full margins. The condition is excellent. This is plate 12 from the series Thirty-Six Views of the Eiffel Tower which was printed by Eugene Verneau. This series is considered by many to be Riviere's best work in lithography.
SOLD

De la Rue Lamark (From the Rue Lamarck) -  RIVIERE

De la Rue Lamark (From the Rue Lamarck)
HENRI RIVIERE
French, (1864-1951)
Lithograph printed in colors, 1888-1902, Fields, pp. 77-78, edition 500. 6 5/8 x 8 3/8 in. Signed on the stone with the monogram, lower left. This is a fine, atmospheric impression with full margins. The condition is excellent. This Buhotesque image is plate 14 from the series Les Trente-Six Vues de la Tour Eiffel.
$900

Du Quai de Grenelle (From the Quai de Grenelle) -  RIVIERE

Du Quai de Grenelle (From the Quai de Grenelle)
HENRI RIVIERE
French, (1864-1951)
Lithograph printed in colors, 1888-1902, Fields, pp. 77-78, edition 500. 6 5/8 x 8 3/8 in. Signed on the stone with the artist's red monogram. This is a fine impression in fine condition. The margins are full. This is plate 18 from the celebrated series Les Trentes-Six Vues de la Tour Eiffel. Certainly, the influence of Hokusai and his Thirty-Six Views of Mount Fuji cannot be understated.
$850

Du Bois de Boulogne (From the Bois de Boulogne) -  RIVIERE

Du Bois de Boulogne (From the Bois de Boulogne)
HENRI RIVIERE
French, (1864-1951)
Lithograph printed in colors, 1888-1902, Fields, pp. 77-78, edition 500. 6 3/4 x 8 3/8 in. Signed on the stone with the monogram. This is a fine impression in fine condition. The margins are full. This is plate 22 from Les Trentes-Six Vues de la Tour Eiffel, as printed by Eugene Verneau. This remarkable series is considered by many to be Riviere's best work in lithography.
$850

Pages: < back [ 1 - 2 - 3 - 4 - 5 - 6 - 7 - 8 - 9 - 10 - 11 - 12 ] next >

top of page


William P. Carl Fine Prints

P.O. Box 14688, Durham, NC 27709
TEL: 919-294-8228 - CELL: (413) 221-2383

E-mail: WPCARL@aol.com