American Prints

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Airtight Stove -  GAG

Airtight Stove
WANDA GAG
American, (1893-1946)
Wood engraving, 1927-1933, Winnans 49 (ix/IX), edition 250. 4 7/8 x 3 5/8 in. Signed in pencil. Here we have a fine impression with full margins. The condition is excellent. The edition was printed in 1934 by the International Print Guild for distribution to their membership. In the lower right corner, there's a vague outline of a cat's face.
$1,000

Fireplace -  GAG

Fireplace
WANDA GAG
American, (1893-1946)
Lithograph, 1930, Winnan 79, edition 100. 10 7/8 x 8 1/2 in. Signed and dated in pencil. This is a fine impression with full margins. The condition is also fine. The edition was printed on a zinc plate by George Miller in New York. The scene is a country home in West Cornwall, Ct.
SOLD

The Forge -  GAG

The Forge
WANDA GAG
American, (1893-1946)
Lithograph, 1932, Winnan 96 (ii/II), edition 100. 11 1/2 x 13 3/4 in. Signed and dated in pencil. this is a fine impression with full margins. The condition is also fine. The edition was printed on a zinc plate by George Miller in New York. Sixteen impressions are cited in museum collections. The scene for this print is a Blacksmith's shop in Carversville, PA.
$2,200

Winter Twilight -  GAG

Winter Twilight
WANDA GAG
American, (1893-1946)
Lithograph, 1927, Winnan 39, edition 100. 10 x 12 5/8 in. Signed on the stone, lower left. Signed in pencil. This is a fine impression of this outstanding print. The margins are full and the condition is fine. The edition was printed by George Miller on a zinc plate. Nine impressions are cited in museum collections.
SOLD

Spring in the Garden (Spring II) -  GAG

Spring in the Garden (Spring II)
WANDA GAG
American, (1893-1946)
Lithograph, 1927, Winnan 38, edition 100. 10 x 13 in. Signed in pencil. This is a fine impression with full margins. The sheet has a deckle edge on all sides. The condition is fine. This stellar print is illustrated on the cover of the catalogue raisonné by Audur H. Winnan. The edition was printed on a zinc plate by George Miller in New York. Fifteen impressions are cited in museum collections.
SOLD

Moonlight -  GAG

Moonlight
WANDA GAG
American, (1893-1946)
Lithograph, 1926, Winnan 26, edition 60. 14 x 16 7/8 in. Signed and dated in pencil. This is a superb, rich impression with full margins. The condition is fine apart from some wrinkles in the upper left corner margin outside of the image. The edition was printed by George Miller from a zinc plate and ten impressions are listed in museum collections. This large, poetic work is a dramatic study in darks and lights and shows the artist as a master of lithography.
SOLD

Spring Valley Willows -  GARBER

Spring Valley Willows
DANIEL GARBER
American, (1880-1958)
Etching, 1942, edition 50. 8 7/8 x 11 7/8 in. Signed in the plate and signed and titled in pencil. The impression was printed by the artist and is so inscribed "DG imp.). This fine, luminous impression has substantial margins measuring at least 1/2" all around. The condition is excellent. This large work is exemplary of Garber's skills as an etcher.
SOLD

Eucalyptus Grove and Stream -  GEARHART

Eucalyptus Grove and Stream
FRANCES GEARHART
American, (1869-1959)
Block print printed in colors, circa 1930, edition probably 30-50. 6 1/2 x 3 5/8 in. Signed in pencil. Here we have a fine impression printed on her typical sturdy, fibrous Japanese paper. The margins are full. The condition is fine other than for a very faint suggestion of light toning just outside the image within an early mat opening. This small, charming work is not listed in the Pasadena retrospective catalogue from 2009.
$2,650

A Stark Country -  GEARHART

A Stark Country
FRANCES GEARHART
American, (1869-1959)
Block print printed in colors, 1937, Pasadena catalogue pg. 104, edition probably 30-50. 11 x 11 7/8 in. Signed and titled in pencil. This is a superb impression printed on her typical fibrous Japanese paper. The margins are full. The condition is fine apart from a thin spot in the upper left corner of the margin away from the image. This large, majestic print is one of her finest works.
$10,000

Olympus (new York) -  GEERLINGS

Olympus (new York)
GERALD GEERLINGS
American, (1897-1998)
Drypoint, 1929, Czestochowski 7 (iv/IV), edition 100. 9 x 5 7/8 in. Signed, titled and dated in pencil. This is an especially fine, rich impression with full margins. The condition is excellent. Twenty-six impressions are cited in museum collections in the catalogue raisonné.
$2,500

Back Stage 8 P.M. (Grand Opera) -  GEERLINGS

Back Stage 8 P.M. (Grand Opera)
GERALD GEERLINGS
American, (1897-1998)
Drypoint, 1932, Czestochowski 29 (iv/IV), edition 30. 11 1/4 x 8 5/8 in. Titled and dated in the plate. Signed, dated and titled in pencil below the image. This is a superb impression with full margins. The condition is excellent. Twenty impressions are listed in museum collections.
$900

Grand Canal, America -  GEERLINGS

Grand Canal, America
GERALD GEERLINGS
American, (1897-1998)
Drypoint, 1933, Czestochowski 31 (ii/II), edition 100. 11 7/8 x 8 7/8 in. Inscribed in the plate, lower right, Chicago Fair 1933. Signed in pencil. This is a fine impression printed on RIVES watermarked paper. The margins are full and the condition is fine. This print was published by the Chicago Society of Etchers.
$3,000

Outposts -  GILMOUR

Outposts
LEON GILMOUR
American, (1907-1996)
Wood engraving, 1936, edition 50 plus artist's proofs. 7 x 11 3/4 in. Signed, dated and titled in pencil. This is a very good impression printed on a fibrous, Japanese paper. The margins are full and the condition is fine. (There's a modest printing crease just to the edge of the image at top right.) Gilmour, like Rockwell Kent, was a visionary thinker and his images often suggest an Orwellian, futuristic look. "Outposts", with the reference E=mc2 showing in the image at left, projects an expansive world view where technology and the masses can interact for better or worse. His stylized imagery, like Kent's, is very well-crafted and shows a timeless, ongoing respect for the human figure.
$750

Floral Study -  GOLDYNE

Floral Study
JOSEPH GOLDYNE
American, (b. 1942)
Monotype, circa 1985, 5 x 3 7/8 in. Signed in pencil, lower right. Inscribed "M.T."(monotype) in pencil, lower left. The margins are full and the condition is very good. There's the slightest trace of toning within a previous mat opening. Provenance: Annex Galleries, CA.
SOLD

National Horse Show  (Madison Square Garden) -  GOLINKIN

National Horse Show (Madison Square Garden)
JOSEPH W. GOLINKIN
American, (1896-1977)
Lithograph, 1938, edition 200. 15 1/4 x 19 5/8 in. Signed and numbered in pencil. This is a fine impression with full margins. The condition is also fine. This New York artist was also in the Navy and achieved the rank of Read Admiral. (He resigned from the Navy in 1922 to pursue his art career and was reactivated in 1938.) He produced many large scale lithographs of New York sporting events which are quite well done. George Miller printed his work.
$950

The Aquarium -  GRANT

The Aquarium
GORDON GRANT
American, (1875-1962)
Lithograph, 1948, AAA 969, edition 250. 9 1/2 x 12 5/8 in. Signed in pencil. Here we have a fine impression with full margins. The condition is excellent. This appealing print was published by Associated American Artists in New York.
$500

October in Santa Fe -  HALL

October in Santa Fe
NORMA BASSETT HALL
American, (1890-1957)
Woodcut printed in colors, 1948, Patterson 86, edition probably 100. 9 7/8 x 8 in. Initialed in the block with the artist's monogram. Signed and titled in pencil. This is a superb impression with full margins. The condition is fine. This outstanding southwestern image was published by the American Color Print Society in 1948. The artist used seven blocks to complete the image.
$3,500

Marigolds -  HALL

Marigolds
NORMA BASSETT HALL
American, (1890-1957)
Woodcut printed in colors, 1929, Patterson 41, edition 60. 8 x 6 15/16 in. Initialed in the block with the artist's monogram. Signed, numbered and titled in pencil. This is a fine impression with fresh colors. The paper is a thin Japanese. The condition is very good apart from a small tear and associated wrinkle in the lower right corner margin and the print is attached to a support sheet at the two top corners. This was certainly done early on. (There's an extremely faint suggestion of toning within an early mat opening.) According to the catalogue, this edition was probably never completed.
SOLD

Matinee -  HART

Matinee
GEORGE OVERBURY "POP" HART
American, (1868-1933)
Soft ground etching and aquatint, 1926, edition 50. 5 1/4 x 8 in. Signed in the plate and signed in pencil lower right. This impression is also numbered. The condition is fine and the margins appear to be full and untrimmed. Hart exhibited with the Downtown Gallery in NY for many years. Impressions of this outstanding print are in the Brooklyn Museum, The Art Institute of Chicago and the Smithsonian. Hart had a fascination with exotic places and spent time in North Africa, Tahiti and the West Indies. Mexico was a favorite place as well.
$700

Mirror of the Goddess -  HASKELL

Mirror of the Goddess
ERNEST HASKELL
American, (1876-1925)
Etching, 1920, Pousette-Dart pg. 31, (ii/II) edition 100 plus 5 impressions in the first state. 9 x 11 7/8 in. Signed in pencil. Signed and dated in the plate on the bottom. This is a fine impression on cream Japanese paper. The margins are wide. The condition is very good apart from old hinges at the top corners, verso, and a soft crease in the bottom margin.
$750

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William P. Carl Fine Prints

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