Anna Doing her Hair (Anna Kammar Sig)
Etching, 1906, Zorn Gallery 200 (ii/III), Hjert & Hjert 245 (ii/III), small edition. 7 x 4 5/8 in. Signed in the plate, lower left. Signed in pencil. This is a superb, richly inked impression of this very rare print. The margins are wide and the condition is fine apart from minor soiling here and there in the margins. This is a rare second state impression with an estimate of 5-15 impressions only in the Zorn Gallery catalogue. The final state, with window panes added, states an edition of only 30-50 impressions. The plate was done in Zorn's studio in Mora.
SOLD

Crown Princess Margaret of Sweden
Etching, 1914, Zorn Gallery 264 (iii/III), Hjert & Hjert 163, Asplund 264; edition unknown. 9 3/4 x 7 in. Signed and dated in the plate. Signed in pencil. Here we have a fine impression with wide margins. The condition is very good apart from two faint stains along the sheet edge at right and a slight repaired split in the same area. This captivating and lovely print skillfully depicts Princess Margaret who died at the age of only thirty-eight. She was married to Crown Prince Gustaf Adolf of Sweden.
$2,500

Dagmar
Etching printed with plate tone, 1912, Asplund 250, Hjert & Hjert 263, only state. 9 7/8 x 7 in. Signed in the plate and in pencil. A superb, luminous impression in fine condition. Wide margins.
SOLD

Eka
Etching, 1913, Asplund 255; Hjert & Hjert 266; only state. 3 1/2 x 4 3/4 in. Signed and dated in the plate and signed in pencil. A fine impression in very good condition. Probably the full margins. There is a very faint trace of light discoloration within a previous mat opening.
SOLD

Elin
Etching, 1913 - 1914, Asplund 260, Hjert & Hjert 270 (v/V). 7 5/8 x 11 5/8 in. Signed in the plate and signed in pencil. A fine impression with full margins. Very good condition apart from a slight suggestion of discoloration along the line of a previous mat opening.
SOLD

Gerda Hagborg III
Etching, 1896, Zorn Gallery 106 (i/II), Asplund 106, Hjert & Hjert 71, precise edition unknown. 9 3/8 x 6 1/4 in. Signed and dated in the plate. Signed in pencil, lower right. This is a superb impression of the rare first state, before the burnishing of the plate in the upper right corner. The margins are full. The condition is very good apart from slight toning of the sheet within a previous mat opening.
SOLD

Gopsmor Cottage
Etching, 1917, Hjert & Hjert 210, edition unknown. 11 1/4 x 7 7/8 in. Signed and dated in the plate and signed in pencil. This is a very fine impression of this dramatic plate. The margins are full and the condition is very good. (There are traces of two old hinges showing at the top corner of the sheet, verso. There exists a painting of the same subject.
SOLD

Gopsmor Cottage
Etching, 1917, Zorn Gallery 275 (iii/III), Hjert & Hjert 210; total probably less than 100. 11 3/8 x 7 3/4 in. Signed and dated in the plate, lower left. Signed in pencil. This is a fine, luminous impression with full margins. The condition is fine apart from two small spots of old hinging adhesive in the top margin, well away from the image. This dynamic prints takes on a slightly abstract feeling with the movement of the dancers throughout the dramatically lit interior. This etching relates to the painting of the same subject, in reverse, done in 1913. The Zorn Galley catalogue lists fifty impressions known of the third state and just a few of the first two states.
SOLD

Gulli I
Etching, 1914, Asplund 265, Hjert & Hjert 162 (ii/II). 5 x 3 3/8 in. Signed and dated in the plate and signed in pencil. It's a fine impression in fine condition. The margins are full. (There is a partial Coat of Arms watermark showing.)
SOLD

Kesti, A Mora Peasant
Etching, 1906, Zorn Gallery 196 (ii/II), Hjert & Hjert 129, edition probably only 15-30. 6 1/4 x 4 3/4 in. Signed and dated in the plate. Signed in pencil, lower right. This is a fine impression printed on cream laid paper. The margins are wide. The condition is fine apart from a thin spot in the upper right margin area. This rare work relates to an oil painting by Zorn from the same year.
SOLD

Mending
Etching, 1905, Zorn Gallery 193, Asplund 193; edition about 30-50 impressions. 7 3/4 x 5 3/4 in. Signed in the plate, lower right. Signed in pencil. This is a superb, beautifully inked impression of this rare print. The paper bears a partial VAN GELDER ZONEN watermark and the condition is fine. There's slight thinness here and there along the right edge of the sheet. This print was made in Zorn's studio in Mora.
$2,500

Mr. & Mrs. Furstenberg
Etching, 1895, Zorn Gallery 97 (ii/III), Asplund 97, Hjert & Hjert 67, edition unknown. 7 7/8 x 10 7/8 in. Signed and dated in the plate, lower right. Signed in pencil. This is a fine, luminous impression of this outstanding, rare work. The margins are full. The condition is very good overall with only minor issues here and there at the extreme margin edges.
SOLD

Mrs. Granberg
Etching, 1903, Zorn Gallery 172 (iii/IV), Delteil 171, Hjert & Hjert 115; 20 signed impressions and 30 unsigned in this state. 7 x 4 5/8 in. Signed and dated in the plate, lower left. Signed in pencil. This is a fine, luminous impression of this uncommon print. Thee margins are substantial and the condition is fine. This is the rare third state before the printed text was added in the fourth state. The unsigned fourth state was published by the Society of Graphic Art in it's Annual for 1902-03.
$1,800

Mrs. Kip
Etching, 1904, Zorn Gallery 184, Asplund 184, only state; edition about 35. 8 x 6 in. Signed in pencil, lower right. This is a superb impression of this very rare print. The margins are full and the condition is excellent. According to the informative Zorn Gallery catalogue, this print was executed in New York during Zorn's visit there in 1904.
SOLD

Ols Maria
Etching, 1919, Zorn Gallery 286, Hjert & Hjert 167, edition unknown. 7 5/8 x 11 1/4 in. Signed and dated in the plate, lower right. This is a fine impression with full margins. The condition is fine apart from slight rippling at the top and bottom edges of the large sheet. This charming print was done late in Zorn's career.
$1,350

Pilot
Etching, 1919, Zorn Gallery 285, Hjert & Hjert 286, Asplund 285, edition unknown. 7 x 4 5/8 in. Signed in the plate, lower left. Signed in pencil, lower right. This is a fine impression printed on cream laid paper. The margins are full and the condition is quite good. This is a nice example of Zorn's later work and, as usual, it's executed with great ease and spontaneity on the copper plate.
SOLD

Princess Ingeborg I
Etching, 1900, Zorn Gallery 153 (iii/IV), Hjert & Hjert 102 (iii/IV); edition unknown. 11 1/2 x 9 3/4 in. Signed and dated in the plate, lower left. Signed in pencil. This is a superb, luminous impression of this very rare print. The margins are probably full. The condition is very good apart from a mild trace of a mat line in the outer margins. There are three printing creases; one very subtle one affecting the blank area in the lower left and two in the lower margin with one just touching the image at bottom. For normal viewing distance these are not noticeable. Hjert & Hjert lists an edition of 15-18 impressions. The newer catalogue by the Zorn Gallery lists 5-15 copies of this, the third state, and 15-18 copies in the fourth state. There's a third state impression in the Wallace DeWolfe and Charles Deering Collections at the Art Institute of Chicago. Ex-collection: Max Biach (Lugt 5532) This Viennese collector was a prominent Zorn collector, among other artists, and Delteil mentions seven of his prints in his catalogue including this one.
$2,800

Queen Sophia
Etching, 1909, Zorn Gallery 223 (ii/II), Asplund 223, Hjert & Hjert 144 (ii/II). 9 3/4 x 7 in. Signed in the plate and signed in pencil. This is a fine impression in fine condition. The margins are full.. Ex-collection: Viola and Remig Papp (Not in Lugt). This print relates to the painting of the same subject.
$2,500

Self Portrait
Etching, 1916, Zorn Gallery 270 (iii/III); Hjert & Hjert 164 (iii/III), edition unknown. 7 x 4 3/4 in. Signed and dated in the plate, lower left. Signed in pencil. Here we have a very fine impression printed on cream laid paper. The margins are wide and the condition is excellent. Zorn produced many self portraits both in printmaking and in oil painting. This print, in fact, relates to a painting in the Zorn Museum in Mora.
SOLD

Storm
Etching, 1891, Zorn Gallery 63 (iv/IV), edition 30; Hjert & Hjert 181 (iv/IV). 7 3/4 x 5 3/8 in. Signed in the plate, lower right. Signed in pencil. This is a very fine impression printed on off-white laid paper. The margins are wide. The condition is very good. This stunning print is exceedingly rare and is also a self portrait. Eight impressions are cited in museum collections including the Art Institute of Chicago and the Gardner Museum in Boston.
SOLD

The Brides's Maid
Etching, 1905, Hjert & Hjert 204, only state, edition unknown. 6 x 7 7/8 in. Signed in the plate and signed in pencil. This is a fine impression in very good condition. The margins are extremely wide and probably full. The sheet has been previously folded under on the sides most likely to fit into a frame. There's a very faint suggestion of light toning within a previous mat opening. All things considered, it's a really nice print.
$2,400

The Fence
Etching, 1913, Zorn Gallery 257 (ii/II), Asplund 257; edition at least 50. 9 3/4 x 7 7/8 in. Signed and dated in the plate, lower left. Signed in pencil. This is a fine, luminous impression with full margins. (The paper bears a VAN GELDER ZONEN watermark.) The condition is fine apart from a a skillfully repaired tear in the upper right corner margin. There's a Zorn painting which relates to this large etching.
$2,200

The Two
Etching, 1916, Asplund 274 (ii/II); Hjert & Hjert 278 (ii/II). 7 3/4 x 5 3/4 in. Signed in the plate and signed in pencil. A fine impression with full margins. Fine condition apart from a trace of old adhesive around the edges of the sheet, verso.
SOLD